Showing posts with label religion. Show all posts
Showing posts with label religion. Show all posts

Wednesday, June 10, 2015

Book Review: The Da Vinci Myth Versus The Gospel Truth, by D. James Kennedy & Jerry Newcombe


The Da Vinci Myth Versus The Gospel Truth
D. James Kennedy, Jerry Newcombe
Mass Market Paperback, 
156 pages
Crossway Books, April 7, 2006
Christianity, Nonfiction, Religion, Theology
Source: Purchased from Christianbooks,com


Book Synopsis: Answers to the Da Vinci Code fictions. With 40 million copies sold, Dan Brown's The Da Vinci Code is a cultural phenomenon, and a no-holds-barred attack on Christianity's 2,000-year-old claim that Jesus Christ is God. Authors D. James Kennedy and Jerry Newcombe offer historical evidence to dispense with The Da Vinci Code fictions, including the outrageous assertions that the New Testament is unreliable and the deity of Christ is a fourth-century invention.











A few years ago, I bought an inexpensive paperback copy of The Da Vinci Code, and began to read it. I had already encountered some negative criticism of the book, especially from Christians -- both Catholics and Protestants -- so I decided to see for myself. Ironically, however, even non-Christian negative criticisms of The Da Vinci Code have shown this novel to be a very poor defense and exposition of pagan beliefs, as many of its 'historical facts' have actually been proven to be false. This is also the major contention of the authors of The Da Vinci Myth Versus The Gospel Truth.

Kennedy and Newcombe discuss most of the errors of The Da Vinci Code in Chapter Two of their book. One crucial point they make in this chapter is that Brown's novel totally fails in its intent to prove Christianity false, and this is  due to one very glaring  error: the existence of an alleged 'secret society' -- The Priory of Sion -- that was supposedly created in 1099.
  
These two authors are not the only ones to point out that this 'secret society' is a hoax. Although several real organizations have names similar to "The Priory of Sion", the version Brown holds up as factual is indeed a hoax, founded and dissolved in France in 1956, by one Pierre Plantard, who brought it back in the 1960s. 

To quote from the Wikipedia article on the subject: "In the 1960s, Plantard created a fictitious history for that organization, describing it as a secret society founded by Godfrey of Bouillon on Mount Zion in the Kingdom of Jerusalem in 1099....In Plantard's version, the priory was devoted to installing a secret bloodline of the Merovingian dynasty on the thrones of France and the rest of Europe. This myth was expanded upon and popularised by the 1982 pseudohistorical book The Holy Blood and the Holy Grail, and later claimed as factual in the preface of the 2003 novel, The Da Vinci Code."  

The Wikipedia article goes on to state that Plantard's purpose for inventing this tale was to prove that he, Plantard, was the Great Monarch prophesied by Nostradamus!

In Chapter One, Kennedy and Newcombe criticize Brown's heavy reliance on the Gnostic Gospels, which he considers superior to the four canonical Gospels of Matthew, Mark, Luke, and John. Kennedy and Newcombe point out that the canonical Gospels were written in the first century, AD, when many witnesses to the life of Jesus were still alive. Thus, the canonical Gospels are far more authoritative than the Gnostic Gospels, which were produced in the 2nd, 3rd, and 4th centuries.

Throughout their book, Kennedy and Newcombe do a very creditable job of proving that Brown's assertions are totally ludicrous.  Another very important point they make is that Brown has failed to provide footnotes for his 'facts', something that, as a responsible author, he certainly should have done. The reader is just expected to accept these 'facts', which are then blended into the fictional sections of the book. Therefore, how can the reader know which is which?

Another very damaging criticism of this novel pointed out by Kennedy and Newcombe is Brown's false assertion that Emperor Constantine declared Jesus to be God in the 4th century, AD, all in the name of political power, since he (Constantine), had already declared Christianity to be the official religion of the Roman Empire. There is plenty of historical evidence that Jesus was worshiped as God by the early Christians. Indeed, as Kennedy and Newcombe go on to state, many of the apostles were killed because of their unflinching faith in Jesus as God. Would they have been willing to die for a myth?

In regards to the above, here's a quote from The Da Vinci Myth Versus The Gospel Truth, with very important evidence: "In the first three centuries of its existence, the Church was struggling for its very survival, as it suffered under ten intense waves of persecution from the Roman Empire....." (page 40)

I never did finish reading The Da Vinci Code, but I was already somewhat familiar with the teachings of Gnosticism, which Brown threads throughout this novel. For those who might not be aware of this religious philosophy, Gnosticism is a collection of ancient beliefs which later evolved into a heretical Christian sect, and was thus a combination of pagan and Christian ideas. It was roundly condemned by the early Church Fathers, such as Irenaeus, Hyppolitus, and Tertullian.

Gnosticism in general stresses the importance of inner knowledge, or mystical enlightenment, as the way to salvation. This knowledge involves awareness of a 'divine spark'  within human beings, and thus, the realization that we are all really gods. This belief, of course, is completely anti-Christian.

Gnosticism also extols the feminine side of God, something which is, I must admit, very appealing, especially to feminists such as myself. In his novel, Brown claims that Mary Magdalene was, according to the plans of Jesus, supposed to be the leader of the Christian movement, which later became the Roman Catholic Church. As much as I would like this to have been true, Kennedy and Newcombe state that there is no historical evidence for this, beyond certain statements found in the Gnostic Gospels.

Brown further states that Mary was also married to Jesus, and that their descendants were members of the Merovingian dynasty in 5th-century France, adding that some of them survive to the present day.  (Thus his claim that the Priory of Sion is a real secret society.)

There was also supposed to be a strong rivalry between Mary and Peter, according to the Gnostic Gospels.

Although I am writing from a Christian perspective, again I have to agree with non-Christian critics that Brown's attempt to discredit Christianity and promote a pagan religion -- that of Gnosticism and the Great Goddess -- is very poorly done. As Kennedy and Newcombe state, the main reason for the success of his spuriously historical novel is the public's ignorance of secular and Biblical history, as well as of Biblical scholarship. Brown knew this, and played upon that fact.

Kennedy and Newcombe also analyze the reasons for the popularity of Brown's novel. One of these is Brown's claim, based on Gnostic beliefs, that sex is the way to divine union with God. Kennedy and Newcombe refute this by stating that this is merely an excuse for libertine sexual practices. 

Another reason for the popularity of The Da Vinci Code, according to these authors, is society's dissatisfaction with organized religion. This is evident even within Christian circles; in fact, Kennedy and Newcombe divulge the shocking fact that there are nominally Christian professors teaching in today's seminaries. These professors have departed from certain basic Christian teachings, such as the divinity of Christ, and yet, they are preparing future Christian ministers. 

Among the general public, the recent pedophile crisis in the Catholic Church has also fostered a dislike of Western organized religion. Instead, spirituality is praised as an end in itself, with a syncretistic approach which includes Eastern spiritual practices.

There are many other excellent points made by the authors of The Da Vinci Myth Versus The Gospel Truth, but they are too numerous to mention here. I have merely touched upon the major ones. Besides, unlike Brown's novel, Kennedy and Newcombe have included many footnotes in their book, which readers can easily refer to. 

I recommend The Da Vinci Myth Versus The Gospel Truth to anyone with an open mind, willing to dig to discover the real facts of the matter. However, although this book is pretty comprehensive in its rebuttal of Brown's false claims, I do wish the authors had written a 'meatier' volume, with more references included, as well as a more thorough analysis of such topics as the status of women in Christianity. As it stands at present, this small volume seems to be merely an introduction to an analysis of this highly controversial novel.



MY RATING:  

   


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Friday, April 25, 2014

Blog Tour: Spotlight/Giveaway!! Among Friends, by Father Jim Sichko




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Among Friends, which runs from
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About the Book


Among Friends
Father Jim W. Sichko
Trade Paperback, 170 pages
Premier Digital Publishing
April 1, 2014
Christianity, Memoir, Nonfiction, Religion, True Stories


Book Synopsis:  “This book is my Midrash.”

With these words, Father Jim draws us into his life story full of laughter, tears, and service. Among Friends is a compilation of short stories and insightful lessons experienced on his many travels as a clergyman and motivational speaker. Whether recounting his sobering flying experiences, meeting the Pope, his encounter with the “Weed Man” or telling us about his “lead foot,” Father Jim teaches us lessons through powerful storytelling. As he takes us along on his journey from getting kicked out of seminary to hosting celebrities, such as Dolly Parton, Harry Connick Jr., Martin Short, Bill Cosby, and former First Lady Laura Bush, at his small Kentucky parish, Father Jim shines a light into the corners of the human heart to expose our need for God and the love He alone can give us. You will laugh, cry, and be taken back by his honesty. In all, Father Jim shows us what it means to love God, love others, and live life Among Friends.






https://www.goodreads.com/book/show/18596294-among-friends?ac=1




Book Excerpt
 

Stories

I love stories. I’m thinking I’m not alone in that, either. Billions of dollars are spent on novels, movies, and even video games. Why? God made us to function through story. Not only did He reveal Himself in the greatest-selling Book of all time, but He made story a vital part of how we communicate with each other.


Think about it. We are a storytelling people. From the moment we are born, growing up through school and beyond, we love hearing stories being read and told to us. We love sharing experiences that we have lived, seen, or heard. For me, as a storyteller, preacher, and speaker, stories provide the opportunity to communicate in a powerful way with people in everyday language with down-to-earth tales.

I think back to my own days at St. Mary Catholic School in kindergarten and how we loved to sit in a circle and listen to Mrs. Richard read to us. We learned from the plot, the characters, and their actions. She read with a passion and belief that captivated our little minds. Most importantly, the stories struck at our hearts.

Why do you think Jesus told stories to make His point? Indeed, He is a master storyteller in all of His parables found in the four Gospels. He would use everyday situations that people understood. He used characters that people would recognize in themselves and others.

Even more interesting, Jesus didn’t always provide the answers. He let people figure out His meaning by telling them, “He who has ears, let them hear.”

God gave me a very interesting life story, as you’re going to see throughout this book. I like to think He gave me this life so I could tell stories from my journey. As you might guess, when I travel to speak at different places, I am often asked two questions. First, “Are your stories true?” and, second, “How do these experiences always happen to you?”

My answer is simple: Yes, the stories are true, and yes, they do happen to me, and they happen to you! The real question that needs to be asked is, “Do you and I have the eyes, the ears, and the hearts — not to mention the minds — to recognize the wonderful opportunities and teachable moments from the experiences of our day?”

Through sorrow, pain, joys, and exultations, our experiences teach us; they stretch us. For me, stories empower and illumine the life of Our God who is ever present with us on this journey through our experiences that we call “Life.” 

Allow me to tell you a few…










About the Author 




 Father Jim W. Sichko is a priest of the Diocese of Lexington, KY. He was ordained to the Ministerial Priesthood of Jesus Christ on May 23, 1998. He travels throughout the U.S. giving missions, retreats, and days of recollection. Known for his storytelling, Father Jim weaves everyday life experiences with the rooted messages which lie within the Gospel. He is booked for speaking engagements through 2015. Each engagement lasts a minimum of three days and averages 3,000 people per night. Father Jim completed his undergraduate work at New England Conservatory of Music in Vocal Performance and received a Master of Divinity degree from Sacred Heart School of Theology.


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Friday, April 18, 2014

Book Review: Untie the Strong Woman: Blessed Mother's Immaculate Love for the Wild Soul, by Clarissa Pinkola Estes




Untie the Strong Woman: Blessed Mother's Immaculate Love for the Wild Soul
Clarissa Pinkola Estes
Trade Paperback, 374 pages
Sounds True
Sept. 1, 2013 (first published Jan. 1, 2011)
Christianity, Feminism, Mythology, Nonfiction, Philosophy, Poetry, Religion, Social Justice, Spirituality


Book Synopsis:  "There is a promise Holy Mother makes to us," proclaims Dr. Clarissa Pinkola Estes, "that any soul needing comfort, vision, or strength can cry out to her, and Blessed Mother will immediately arrive with veils flying. She will place us under her mantle for refuge, and give us the warmth of her most compassionate touch, and strong guidance about how to go by the soul's lights." Untie the Strong Woman is Dr. Estes's invitation to come together under the shelter of The Mother-whether she appears to us as the Madonna, Our Lady of Guadalupe, or any one of her countless incarnations. This unforgettable collection of stories, prayers, and blessings includes: "The Drunkard and the Lady"- a story of unexpected miracles that arise from the mud and soil, "Guadalupe is a Girl Gang Leader in Heaven"- a poem of resistance and hope, "The Shirt of Arrows"- a love that is invincible no matter how many times we are wounded, "The Black Madonna"- she who stands at the juncture between two worlds and protects us as we enter the dark places.

Why does the face of Our Lady appear in the most humble and unexpected places? Why does she burst forth into every culture no matter how hard authority tries to suppress her? It is because no bonds can prevent her from returning to those who need her most. With Untie the Strong Woman, Dr. Estes invites you to encounter the force of Immaculate Love, "So that your memory of Her is renewed, or that the knowledge of her miraculous, fierce, enduring ways is drawn into your heart for the very first time."












 My Review


Before discovering this beautiful, moving work, I had only heard of Dr.  Estes through her previous masterpiece, Women Who Run With The Wolves, which I must admit I have yet to read, although I do own it.

The present book is a loving tribute to Mary, the mother of Jesus, but it goes beyond that, for Dr. Estes connects the Blessed Mother to the Divine Feminine.  Thus, she is really the Great Mother Goddess, prevalent in all human cultures throughout the centuries, and known by many names.

It's really fascinating to see how much this love of God as Mother has come to the surface in recent years.  Although I share the author's religion -- Catholicism -- I'm not completely comfortable with Estes's take on this, since the Virgin Mary has never been a goddess.  She was born a human being, just like the rest of us, except that she was chosen to be the mother of the Messiah.  Still, I can't help but be drawn to this book, because somehow, it speaks deeply to me.  I suppose there's just something in the human soul that yearns for a mother's nurturing, fierce love.  And that's just how Estes pictures Mary, and the Divine Mother -- as a fierce, yet tender warrior, always ready to protect her children.

At the beginning of each chapter, there are photographs of the author's own collage artwork, done in honor of Our Lady, and as a memento of prayers answered.  The cover of the book depicts Our Lady of Guadalupe, done in the beautiful style of Mexican muralist George Yepes.
  
It was this beautiful cover that initially attracted me to this wonderful, profoundly spiritual, yet profoundly earthy, book.  The woman on this cover is a tender, yet strong, warrior mother.  She is of her people, a woman of great moral courage, of strength in the face of injustice.   She has suffered, and triumphed.  She is holy, and loving, and proud, and she will never be defeated, never be completely blotted from human history.  The author emphasizes this point many times throughout the book.

It wasn't just the cover that attracted me, though; when I picked up the book, which I found in a Barnes & Noble store I visited recently, and opened it, the most delicious book smell wafted from its pages.  I don't know what kind of paper has been used for this treasure, but it has certainly helped me love this book!  From the moment I first saw it standing proudly on a bookshelf, I felt it calling to me.  Grabbing it, I went straight to the snack section of the store, quickly found an empty table, and proceeded to get lost in the wonderfully-scented pages, that were filled with gentle eloquence.

There are many short, as well as longer, chapters in the book, in which Estes vividly details, in her unique, lyrical style, the many facets of the Divine Mother.  She writes at length about Our Lady of Guadalupe, and in one of the more touching chapters, "The Drunkard and the Lady", tells the story of a drunk with stone mason skills who helps her build a shrine to Guadalupe, under the title of "La Conquista" ("The Conquest").  Long before he had finished the shrine, the man had stopped drinking -- completely.  

Another beautiful, yet poignant chapter, "Our Lady Behind the Wall", tells the story of the mural at Our Lady of Guadalupe Parish in North Denver.  This mural, which depicts the Lady with the Indian saint, Juan Diego, has been hidden behind a wall for several years now. 

Yet another chapter, "Massacre of the Dreamers: the Maiz Mother" ('maiz' means 'corn') tells the sad legend of the wholesale massacre of Moctezuma's dreamers, by Moctezuma himself, in a vain attempt to stop the prophetic dreams about the brutal colonization of the Americas.  The Corn Mother was then known as "Xilonen".

There's also a chapter dedicated to the Black Madonna, as well as another on "The Marys of Mother Africa".  In the chapter on the Black Madonna, she tells of how her Swabian grandmother, Katerin, rescued blackened pieces of wood that were left after fires burned down, calling them her Black Madonnas, because they had an uncanny resemblance to the overall shape of Our Lady.  These she would plant in her vegetable and wheat fields, which would then flourish.

Perhaps the most difficult chapter for me to read was the one titled, "Post-Abortion Compassion: 'The Children She Got That She Did Not Get'".  This line in the title comes from a Gwendolyn Brooks poem, "The Mother".  Dr. Estes had a chance encounter with the poet, as she was flying to Chicago's O'Hare Airport once, and the two of them discussed the poem, in which Brooks regretfully alluded to her own abortions.

In another chapter, Estes relates the Good Friday ritual of "Pesame" ("I am sorry" is an approximate translation), in which a statue of the Madonna is brought down from an alcove in the church, and placed outside the altar rail, in the church's nave.  The congregation then slowly comes forward, to either tenderly touch the statue, or to place a warm shawl over her head, or a cup of water at her feet.  All the people come to the church in silence, and sit with her in silence, to console her for the death of her Son.  I had never heard of such a ritual before; it's obviously part of Mexican Catholic spirituality.  I found it very moving and beautiful.

Another chapter tells of the tradition of "La Posada" ("The Inn"), in which, every Christmas, a family portraying the Holy Family goes from house to house, being turned away, until at last they come to the designated house where they will be welcomed with open arms.  Along the way, they sometimes meet up with folks who, moved with compassion, forget that they are supposed to turn away the travelers, and eagerly ask them to come in, to the amused consternation of the participants.     

There are many stories throughout this book, which is a wonderful combination of things -- memoir, history, spirituality, philosophy, and poetry written by the author, which she weaves into several chapters.  In a style that is unique, tender, and full of rich metaphors, Estes pulls the reader along, delving into the recesses of the heart and soul, as she touches the sacred and brings it to life, inspiring us to marvel, to ponder, to enter into the mystery ourselves.

Estes ties the story of the Great Mother with the stories of all those who suffer and struggle for justice -- from her own Mexican ancestors, to women in Africa still enduring abuse, to the Russians who finally were able to tear down the Berlin Wall, to those who were killed during the Holocaust.  She tells these tales simply, with no vindictive rage, but with the firm stance of one who presents these horrors to the reader, one who serves as witness.  And the Great Mother grieves....

Some readers might be put off by the fact that the book has a heavy Catholic influence, while more traditional Christians might object, as I do, to the idea of the Virgin Mary being divine.  But then, the concept of the Divine Mother is something universal, something that speaks to a very deep yearning within the human heart, so I would say that everyone and anyone can read this book.  There's something about the idea of God the Mother that is, quite simply, immensely appealing, in spite of its controversy.  This book is sure to charm and ensnare the unsuspecting reader, whatever their views on the Divine Feminine.  Totally fascinating in its grand scope, it's sure to become a spiritual classic!


MY RATING:





 About the Author


 Clarissa Pinkola Estes

 An American poet, Jungian psychoanalyst and post-trauma specialist who was raised in now nearly vanished oral and ethnic traditions. She is a first-generation American who grew up in a rural village, population 600, near the Great Lakes. Of Mexican mestiza and majority Magyar and minority Swabian tribal heritages, she comes from immigrant and refugee families who could not read or write, or who did so haltingly. Much of her writing is influenced by her family people who were farmers, shepherds, hopsmeisters, wheelwrights, weavers, orchardists, tailors, cabinet makers, lacemakers, knitters, and horsemen and horsewomen from the Old Countries.





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Sunday, March 16, 2014

Blog Tour: Book Review/Giveaway!! Antiphony, by Chris Katsaropoulos



http://www.novelpublicity.com/luminis-3/


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About the Book



Antiphony
Chris Katsaropoulos
Trade Paperback, 206 pages
Luminis Books, Inc
November 1, 2011
Literary Fiction, Philosophy, Religion, Science, Spirituality



Book Synopsis Theodore Reveil, one of the leading lights in String Theory physics, is on his way to present his latest research at a triumphant meeting of his colleagues from around the world, when he realizes he has lost the notes for his presentation.  At the podium, in the midst of his distraction and confusion, he poses the question: "What if the universe, instead of being a giant machine, is really a giant thought?"  Then he crosses a line which he can never step back over again, saying, "The infinities and singularities in these equations may be telling us that what we are missing is unknowable in terms of physical science. These unsolvable terms in our equations may be roadsigns pointing to consciousness -- to God -- as the missing piece of the puzzle."  Antiphony traces the downward spiral of Theodore's career in the wake of what he has said, and the remarkable transformation that leads him into the depths of madness....or the revelation of the Final Theory, the ultimate secret of the universe.



My Review

The very first sentence of this novel was a sheer delight to read, and I was instantly immersed in the uniquely poetic, wonderfully idiosyncratic world of Theodore Reveil, theoretical physicist.  Here's the sentence that so delighted me: "Theodore sees now that he should have brought sunglasses, for even here, within the gaping, hushed volume of the convention hotel lobby, splinters of irretrievable light reach through the wall of glass that defines the reception area and make him squint, as he tries to focus on what his wife is telling him."  With this very first sentence, Katsaropoulos sets the tone for the entire novel.  There is an age-old conflict here, deeper than the novel's surface conflict.  This underlying conflict is between a superficial view of so-called "reality" -- that which we perceive with our five senses -- and reality as seen by the poet, the mystic.  

Theodore is indeed a poet and mystic.  This only begins to become apparent to him when, having lost his notes for an important scientific presentation, he first experiences the stirrings of awareness of that numinous world underlying the one perceived only by the senses.  The reader, however, already knows that Theodore is no ordinary scientist, just from reading that first sentence of Chapter One.  Theodore realizes that he should have brought sunglasses with him.  This is an obviously practical observation, belonging to the world of consensual reality.  He then perceives "the gaping, hushed volume of the reception lobby", as "the splinters of irretrievable light reach through the wall of glass".  This perception is a poetic, as well as mystical, one.

This conflict between the perception of "ordinary" and "mystical" reality, for me, is what makes Antiphony such a powerful literary and artistic statement.  The title, aside from its meaning as "responsive alternation of two groups, especially of singers" (Merriam-Webster Online Dictionary) can also be read as "anti-phony", which I think refers to Theodore's inability to accept what society at large holds as true: that consensual, "common-sense" reality is the only reality there is.  However, those who, like Theodore, have experienced the call of that mysterious, spiritual world, will agree that it does exist.  Children, for instance, are very much aware of this reality, and I think that's the reason Katsaropoulos chose to identify his protagonist as "Theodore", instead of "Dr. Reveil", throughout the novel.  Theodore is childlike in several ways, but the most important one is in his sense of wonder at the behavior of molecules, atoms, galaxies, and, indeed, the whole universe.  

Contrasted with Theodore's open, wondering capacity is his wife's complete unawareness of anything but consensual reality.  In fact, at the beginning of the novel, she prefers going to a spa to attending her husband's presentation, on the grounds that she will not understand most, or all, of what he will talk about during the event.  Ilene is the typical ordinary person who never wonders, never ponders, never questions the foundations of this so-called "reality".  So, of course, she and Theodore never really connect, whether on a spiritual, emotional, or intellectual level.  This made me wonder why he ever married her.  It also made me dislike her, even as I realized that she couldn't help being the way she was. 

I'm wondering if perhaps the author sees Theodore's wife as the archetype of Woman, totally immersed in a reality of the senses, one that she does not question or wonder about.  If I'm right in this assessment, then I must disagree with such a view of the female gender, as there are plenty of intellectual women who have also been great poets, scientists, artists, and indeed, have questioned and wondered at reality just as much as men have.

I suppose Ilene's presence in the novel was necessary, however, in order to emphasize the difference between the two perceptions of reality.  Thus, I am reminded of Hermann Hesse's Steppenwolf, in which the protagonist, Harry Haller, an intellectual, battles against his instinctual side, and later meets a woman, Hermine, who exemplifies the life of the senses.  Although the conflict in Hesse's novel is of another order entirely, this author, too, contrasts a man involved in an inner, very personal conflict, with a woman who is simply content to experience, to go along with the flow of life.

In all fairness to Ilene, I should also mention that, in the midst of all his mystical visions and endless theorizing about the true nature of reality, consciousness, and the universe, Theodore does seem to lose sight of his wife as a person in her own right.  Even though he and Ilene are not really compatible, he could at least have made some effort to connect with her in some way.  But then, so should Ilene have made her own efforts to connect with her husband.  Thus, aside from the central themes, Katsaropoulos also presents the scenario of a marriage that has settled into a rather monotonous routine, with little to no communication, on any level, between the two people involved.  This aspect of the novel, in conjunction with its main themes, lend it a definite air of melancholy, and even despair. 

Literary fiction, as opposed to genre fiction, does not necessarily rely upon plot twists and turns, or relentless action, in order to grab a reader's attention, and pull him/her along as the plot develops.  This novel is a case in point.  Rather than twists or turns, or mad chases to save the world from a villain or villains, the narrative mesmerizes the reader with its brilliant strangeness, its detailed description of seemingly trivial, ordinary events and objects that becomes a luminous landscape of great beauty.  Even in those passages full of what amounts to pure gibberish, the author succeeds in holding the reader's attention.  At least, that was very true in my own case. 

The book shifts from one reality to the other, as the plot, which takes place within a short period of only three days, develops.  The plot is, in fact, an antiphony, as the two perceptions of reality come to the forefront, merge, then separate, never entirely blending, yet somehow, never entirely separating, either. 

There are a couple of other drawbacks I also need to mention.  For me,  the novel's surface conflict -- that of a scientist disgraced because of his assertion that the universe is really a giant thought, and that the Final Theory of Everything points to the existence of God -- fell completely flat.  This idea is nothing new; in fact, it was first proposed by Sir James Jeans, a British astrophysicist, in his The Mysterious Universe, published in 1930.  Furthermore, this idea has become increasingly accepted by the scientific community, especially since the 20th-century developments in quantum mechanics, which have revealed the astounding fact that subatomic particles seem to have intention, and that the presence of an observer can alter the outcome of a scientific experiment.  In light of all this, I feel that the surface conflict in this novel loses much of its dramatic impact.  Theodore need not have been made to feel that he had overstepped his bounds as a scientist, since there are scientists today who share his perception of the universe as a mysterious, mystical, as well as beautiful, reality, ultimately grounded in the existence of an omnipotent Creator.

Another, more minor point I found objectionable was the author's detailed description of Theodore's activities in the men's restroom of the hotel.  In other parts of the novel, Katsaropoulos's vividly minute dissection of "ordinary" reality is beautiful in the extreme, and totally captivated me.  I cannot say the same for this restroom passage; indeed, I found it very disgusting, and feel it detracts from the overall, luminous picture presented in the novel.

In spite of the above objections, I greatly enjoyed Antiphony, and definitely recommend it as a captivating look into the mind and soul of a scientific genius who was also a poet and mystic.  Sadly, such people are, for the most part, not seen as valuable in this world of petty, mundane concerns.  Katsaropoulos has brilliantly succeeded in making this clear.

This novel does have a definite air of melancholy to it, as I mentioned above.  Theodore's inner visions and tensions with the outer, scientific community of the research organization he works for, as well as the disconnection from his wife, on all levels, affected me emotionally; I had to put the novel down at times, take a little break, and then return to it.  This was despite the fact that I found it very compelling reading. 

The novel features a deceptively simple interweaving of several distinct, yet interrelated themes; this is precisely one of the things that make it such a fascinating read.  At the deepest level, I believe it can be seen as "a wake-up call" for all of us who become so busy surviving, we forget that there's a whole world of beauty to be discovered in this "reality" we believe to be the only possible one.  At another level, the author seems to be saying that the ascent into poetic mysticism may irrevocably lead to madness, and thus, perhaps such insights are really incompatible with the world as commonly known.  Thus, the novel's message seems to simply underscore the deep paradoxes inherent in existence, as well as consciousness itself.
       

MY RATING:





https://www.goodreads.com/book/show/12275189-antiphony?ac=1








About the Author

Chris Katsaropoulos is the author of more than a dozen titles, including two novels, Fragile and Antiphony, from Luminis Books.  He has traveled extensively in Europe and North America, and enjoys collecting music and books.  His collection of poetry, Complete Knowing, published by Luminis Books, is coming in Fall, 2014.




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Monday, March 25, 2013

Tour Book Review: The Silence of Bonaventure Arrow, by Rita Leganski



The Silence of Bonaventure Arrow
Rita Leganski
Trade Paperback, 400 pages
Harper Collins Publishers
February 26, 2013
Christianity, Historical Fiction, Literary Fiction, Magic Realism, Pro-Life Fiction, Religion,
Spirituality

(Note: I received a copy of this book through TLC Book Tours in exchange for an honest review.)


Meaning is rooted in silence, the silence of true listening.  This is one of the themes of this beautifully-written novel.  Leganski's protagonist, Bonaventure Arrow, listens with every fiber of his being, even while he does not speak.  He hears sounds no human being should be able to hear, such as the sounds of faraway stars....  His gift is described in beautiful, rhythmic sentences that astonish with their beauty, that seize the heart and soul, making it necessary to pause, making it necessary to listen....  This is exactly what I did at the beginning of this luminous book -- I paused in my reading to sound the words out in my mind.  Then I sounded them out loud.  In the process, I was transported to a richly magical universe, seen through the eyes of a true poet. 

Here's an example of the literary gold to be encountered in this novel.

"Nor did they know that Bonaventure's silence was full of sound that came to him in the same way it had come to the universe when space expanded to form nebulae and novas and all things celestial out of a divine and loving pulse."

The plot itself seems simple enough -- on the surface, at least.  William Arrow and Dancy Roman meet in May of 1949, fall gloriously in love, and immediately marry.  They begin their married life as they did their courtship, with a contagious, giddy excitement.

Until William is killed -- shot at close range by someone nobody knows, at an A & P where his wife had asked him to pick up a few things for her....

It was not easy for me to keep on reading after that, so I picked up and put down the book many times, reading in spurts.  Leganski let me feel the depths of Dancy's sorrow, as well as William's own at being so suddenly separated from his wife and unborn son.  His spirit could not leave them, and indeed, stayed near them throughout most of the novel. 

And only Bonaventure could hear him, so the two communicated through their minds, in secret...

This story is full of secrets, too, and there's one, the biggest one of all, haunting Letice Arrow, William's mother.  In fact, this secret is the one mysterious underpinning of the novel.  Letice is sure that there's some connection to William's murder.  She is determined to find out just what it might be.

Leganski's novel is not the typical, action-filled book that tops bestseller lists, although it definitely deserves to be a bestseller.  It's more like a smoothly flowing river, with strong currents and undertows.  It is a page-turner in its own way, ensnaring the reader in its silken prose, moving along, from one apparently insignificant event to another, until the climax, the reason behind all the events, is reached. 

The characters are totally unforgettable.  Aside from Bonaventure himself, whose innocence hides a certain deep wisdom, there's his father William, who is totally devoted to his wife and son, so much so that he can't move on to heaven, Letice, his paternal grandmother, who attempts to educate him in the Catholic faith, and loves him unconditionally.   His mother Dancy treasures him as a gift from her late husband, and knows how very special he is.  And Trinidad Prefontaine, a hoodoo practitioner and compassionate healer who is wise in the ways of the soul, understands Bonaventure much more than anyone ever could.  Then there's Adelaide Roman, Dancy's mother and Bonaventure's other grandmother, who harbors a couple of dark secrets of her own... Gabriel, Bonaventure's gentle, sign-language teacher, is memorable as well, although he only becomes more important to the story as the plot approaches resolution.

The most mysterious of all the characters is known simply as "The Wanderer"...a man driven half-mad by the demons of his past, a man who doesn't really know who he is anymore...

In the midst of all this praise, I must mention something that did bother me about this novel: the characterizations of Letice Arrow and Adelaide Roman, the two grandmothers.   Letice comes across as a flawed, but very real human being.  Adelaide, in contrast, is merely a stereotype, a caricature of a Fundamentalist Christian.  

I can't help but feel a bit uncomfortable with this, especially after loving so many of the book's other aspects. 

Having stated the above, I can still say that I love this novel!  Reading it was a truly wonderful, if at times heart-wrenching, experience!

The story moves from the fictional town of Bayou Cymbaline to the very real, yet magically recreated city of New Orleans, back and forth, as the present fades into the past, and then returns again.  This creates an easy, flowing rhythm, an inescapably hypnotic one that effectively carries the reader into a world in which everything is, paradoxically, more real, more vibrantly alive. 

In 1957, when Bonaventure celebrates his seventh birthday, everything finds its place, everything is finally revealed.  Everyone, including his tormented parents, find peace.

At bottom, the overarching themes of this novel are the beauty and sacredness of life, of nature, and of how redemption and forgiveness are attained in the end, and thus, everything is set right, although things will never be quite the same again. 

Through its magical, mystical prose, its sorrow-filled characters, and its apparently senseless tragedies, The Silence of Bonaventure Arrow unabashedly presents the magic and wonder present in the world, even in the midst of any suffering, if only we are willing to open our hearts and souls to it.
 
MY RATING:




Purchase Links

Rita Leganski

Author Bio
(from Harper Collins Publishers)

Rita Leganski holds an MA in writing and publishing and a BA in literary studies and creative writing from DePaul University. She teaches a writing workshop at DePaul's School for New Learning and was a recipient of the Arthur Weinberg Memorial Prize for a work of historical fiction.



Rita Leganski Online




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