Showing posts with label Phantom of the Opera fan fiction. Show all posts
Showing posts with label Phantom of the Opera fan fiction. Show all posts

Sunday, April 15, 2012

On My Bookshelves #24: Phantom, by Susan Kay




My Sunday book meme
highlights books that I own,
but have somehow never gotten to,
as well as those wonderful books
I would love to re-read!!



Here's my pick for this week,
which I've been wanting
to re-read!





Hardcover, 458 pages
Llumina Stars
October 1, 2005
(first published 1990)
Genres: Historical Fiction, Romance,
Gothic Fiction, Literary Fiction
Romantic Novel of the Year Award,
1991


From the Amazon Synopsis

In a powerful and moving tour de force (the American debut for this British writer whose first novel, Legacy , won the Georgette Heyer Historical Novel Prize and the Betty Trask Award), she adds a new depth and perspective, moving well beyond the familiar boundaries of the story. This version begins with the birth of the horribly disfigured Erik and continues into the years following his doomed romance with Christine, ending in an unexpected and triumphant redemption.




Susan Kay
(1953 - )


I have been obsessed with Erik, The Phantom of the Opera, since I saw the 2004 film version of Lloyd Webber's musical!  However, when I read the original novel, penned by the French 19th-century writer, Gaston Leroux, I was terribly disappointed...  Kay does a much better job than the original author, as I happily found out when I read her own version!   Unfortunately, the book was out of print in 2004, which is when I first found out about it.  I finally bought a copy for $30.00, from Amazon in Canada!  (And it was a mass market paperback, too...)  Then, the following year,Llumina Press released it, and I was able to get the hardcover for $20.00, plus shipping and handling.  (The price has since gone up, though.)  If you've never read this book, I urge you to do so!!

Believe me, Kay tells a far more compelling story than Leroux ever did!!!   It's very unusual for the retelling of a classic to be even better than the original, but that's exactly what happened with this book, in my honest opinion.   Kay makes Erik an emotionally troubled, suffering character, instead of the monster Leroux depicts him as.

If you're only familiar with the original novel, and would like to see the difference between it and this masterful retelling, be sure to compare the two!  I'm confident you'll agree that Susan Kay is a far better writer than Gaston Leroux! 

Here's the Goodreads link to the original novel:


Here's a link for the author:








Thursday, September 1, 2011

Follow My Book Blog Friday Hop #8




Happy Follow Friday!!

and...


Happy Labor Day Weekend!!!!


This weekly feature is hosted by
Rachel at Parajunkee's View 
and 
Alison at Alison Can Read,
 which you really must go and check out!!

Rachel not only has fabulous features,
but is a web designer
'par excellence'!!
Alison has a beautiful and very
interesting blog!


You can find the rules at the links above.
Join in the fun and make new blogging friends!!


This week's featured blogs are:


and



Here's this week's question:


If you could change the ending
of any book (or series),
which book would you choose?
Why and to what?



I love this question!  For me, there's absolutely no doubt as to which book I would choose: Gaston Leroux's The Phantom of the Opera.


WARNING:

SPOILERS FOLLOWING!


For a long time, I actually avoided reading this book, since I had heard of the various film versions, starting with the 1925 Bela Lugosi film.  I have never been interested in seeing it because I absolutely detest the horror genre, whether in books or film. 

Most of the later film versions are basically faithful to the book's portrayal of Erik, the Phantom -- he is a monster, with a sick obsession for a young opera singer.  Furthermore, he is insanely jealous of the young aristocrat who courts her.  Because of his jealousy, he nearly ends up killing them both in the end.  In all fairness, I read the book a while back, so the author might have shown some compassion toward his character, and I simply can't remember that. 

The original story takes place in late nineteenth-century Paris.  The film versions are faithful to this, as well.

Erik has a horrible facial deformity, which is why he keeps his face covered with a mask.  He lives underneath the Paris Opera House, in an area permantnely flooded by water to the point that a lake has formed, which he crosses on a small boat.  Isolated for years, he has lived only for his music, which he composes on an immense organ.  Over the years he has constructed a dwelling for himself there.  He is a genius, having also contributed to the design of the Opera House years before.

When he hears Christine Daae sing one day, he is immediately captivated with her, but is afraid that she will reject him, so he pretends to be her "Angel of Music", and starts giving her voice lessons from behind a mirror in her dressing room.  Unbeknownst to her, the mirror is a secret entrance to a series of tunnels that take one down to the subterranean lake. 

Erik falls madly in love with Christine, but it's an obsessive, controlling love.  His jealousy is comparable to that of Othello for Desdemona, and its consequences are nearly as tragic as the ones in Shakespeare's immortal play.

Raoul de Chagny, the young Vicomte, is also in love with Christine.  They had been childhood friends, were later parted, and have now been reunited as adults.

Erik becomes more and more monstrous as the book progresses, even going as far as to torture Raoul.  Christine manages to escape with the Vicomte just in time, and, if I remember correctly, Erik wastes away and dies, pining for her. 

My first exposure to the tale was through Andrew Lloyd Webber's film version of his 1986 musical, which was released in 2004.  I fell head over heels in love with the Phantom!  Well, he was played by the Scottish actor Gerard Butler, so that was to be expected!   Then I read the Leroux novel, and was greatly disappointed.  Lloyd Webber portrayed the Phantom with much more compassion and humanity than Leroux did.  He's a tortured soul, longing for love, and mortally afraid of rejection.  I felt that Lloyd Webber captured the essence of the character much better than Erik's original creator did, which is highly ironic, as well as fascinating.  In fact, the story is thus seen to be based on the "Beauty and the Beast" archetype.

Sadly, in spite of this more humane rendition, Christine still chooses to escape with Raoul in the end, even though she is shown to have feelings for the Phantom.  And Erik, in contrast to Leroux's character, lets her leave with Raoul.  This is the essence of love -- to choose the happiness of the beloved above everything else, even if it causes pain to the one who loves...

Of course I cried and cried at the end of the movie.  I barely did so at the end of Leroux's book.  Still, I couldn't tolerate the fact that Erik could not have Christine's love in the 2004 movie.  I could see why they couldn't possibly be together in the book, due to Erik's horrible nature.  I felt that Webber's Erik should have had the chance to have Christine's love, however. 

That was when I discovered a website -- fanfiction.net  -- which allows people to create stories around favorite book or film characters.  So I began to write stories about the Phantom of the Opera, and in each and every one of them, Erik at last wins Christine's love! 

This became an obsession for a while, and I started several stories about the Phantom.  Only one is finished -- a one-shot titled "Miracle in Central Park". It's a modern retelling of the story.  All the stories I've posted on the site are variations and even entire departures from the original tale, but they all have one thing in common: a happily-ever-after ending for Erik and Christine.  Of course, in order to achieve this, I have changed Erik's nature even more than Webber has.  He's not as evil as he appears to be.

I am not alone in this; many other fan fiction authors have posted beautiful, romantic stories about the Phantom of the Opera on the site.  Of course, this is not the only book whose characters can be used to write fan fiction.  There are quite a few others, including The Twilight Saga.  I have written four Twilight stories, as well.

My pen name on the site is Angelmuse, although, for some reason, it doesn't show up when one does a search.  So, if anyone is interested, here's the link to my profile page, from which you can access any of my stories:















Friday, May 6, 2011

Phantom of the Opera Fan Fiction: "A Night's Dream of Music", Chapter 1




Disclaimer: I own none of these characters, of course.   This story is based on the most romantic, most exquisite version of "The Phantom of the Opera" - the 2004 movie. I had originally planned it as a one-shot, but my muses, kept bothering me to continue it, so I meekly complied.  I wrote this in 2006.


1886, Paris, France

Chapter 1: Love Stirs

He was at the organ, composing as he played. Notes cascaded through the air as his long fingers deftly moved over the keys. He was totally involved in the music that flowed through him, in the passion that enveloped him. Eyes closed, he allowed the strange rhythms to take him to the limits of reality. Bending over the organ, he seemed to coax it to produce sounds such as no musical instrument had ever produced before. He breathed in time with the sublime melodies that flowed from his soul...

She was watching him, totally mesmerized. Just who was this man who played so divinely, who brought tears to her eyes as she listened? He had whisked her away, down to these hidden levels at the Opera House, places she had never seen, which struck terror into her heart. Now, as she listened to him play, all her fears forgotten, the unearthly music wove itself around her heart, filling her with a sweet ecstasy.

He was utterly masculine. Her heart beat faster in his presence, when she felt his eyes upon her. No such thing had ever happened when she was with the Vicomte, the young aristocrat who was so smitten with her. Indeed, she felt that he could never compare to this majestic genius whose music had transported her to new heights...Never had she heard such wonder, such thundering chords, followed by the tenderest notes, as if the music were alternately commanding, then pleading, its sonorous spell intoxicating the senses.

He was so absorbed in his playing that he was completely unaware of her presence.

She remembered well the first time she had listened to him thus. What followed next had been a traumatic experience for them both. She had torn off his mask, driven by an insane curiosity to see the fully-exposed face of this man whose heart and soul were shamelessly bared in his immortal music. She had merely wanted to cup his unmasked face in her hands, without any barriers between them...

She stirred uneasily now, as the memories laid siege to her mind. She had not wanted to look upon the consequences of her rash act, upon the ravaged face that had been revealed to her. He had forced her to look, nevertheless, screaming obscenities at her, hurting her with the sheer violence of his pain. Then he had retreated from her in horror and anguish, collapsing on the floor not far from where she half-knelt, still stunned.

She had never seen a man weep as he did then, his disfigured face in his hands...

She recalled crawling toward him, to place his mask within reach of his hands. She had then fled to the bedroom he had long ago prepared for her. Slamming the door in a fit of anger at her own foolishness, she had thrown herself on the swan-shaped bed, as tears of shame immediately engulfed her.

Much later, she had heard his knock at the door, his contrite voice, begging her forgiveness. Still shaking with fear, but nevertheless feeling guilty for having unmasked him, she had gone to open the door.  He had his mask back on. Silently taking her hand in his, he had brought it to his lips, feathering a kiss upon it. The light touch of his lips had made her shiver...

The cascade of glorious sound now came gently to an end, and there was silence, utter silence. She opened her eyes to see him hastily pull a notebook from a shelf near the organ, open it, and feverishly dip a feathered pen, again and again, into an inkwell he had set on top of the bench where he sat. He scribbled furiously for a very long time, while she continued to gaze upon him, amazed. He was apparently committing to paper every single note he had played. The man truly possessed a prodigious memory.

At last, he seemed to have written everything down, to his satisfaction. His body, which had been coiled with tension, relaxed. He breathed in deeply, stretched, and finally turned to her, smiling.

She had the distinct impression that he had just returned from a far-away land of enchantment that only he could visit...

"Christine..." His deep, melodic voice never failed to have its hypnotically sensuous effect on her. She smiled shyly at him, blushing.

"I had no idea you were there, listening." His smile dazzled her, in spite of the disfigurement. She was becoming accustomed to his unmasked face.

"I know..." she replied, wonder in her voice. "Was that your music you were playing? You were totally immersed in it. It was as if the entire world had ceased to exist for you..."

"Yes, this is indeed my music, but you have been the inspiration for it. You, a beautiful, shy, angel of a girl...You have been my muse. I could not have written such divine music without you, for you are in my very veins..."

She was not entirely taken by surprise at this declaration. She had gradually become aware of his deep feelings for her. Was she herself beginning to reciprocate those feelings?

He rose from the bench, to walk, cat-like, to her side, as his eyes held her own.

She gazed up at him, completely lost in his intense, golden gaze. He leaned down, and, taking both of her hands, drew her up to stand before him.

"I know that you must surely be returning soon, and that the Vicomte de Chagny will be waiting for you," he said, so sadly that she suddenly felt as guilty as though she had betrayed him.

"Yes..." she agreed, slowly, without alluding to the young aristocrat. "I must return. There are rehearsals...We will soon be starting work on Faust..."

"You would make a magnificent Marguerite..."

She blushed again. "Surely you jest, Monsieur! You must be aware that the role belongs to Carlotta!"

"A truly unpleasant fact, Mademoiselle! You were made to sing it! With my help, you would soon make the Parisian public forget that ridiculous Italian peacock!"

She could not believe he was serious, and so looked away, saying nothing, until she felt his hand upon hers. Looking up, she encountered his unsettling, glowing orbs.

"My heart yearns for your love, Christine...Yet, it would mean nothing were I to attempt to force it from you. And I will not beg! Leave me now, if you must. Come, I will take you back across the lake."

She did not know what to say. She wanted to tell him that she did indeed love him, but somehow, the words would not come forth. Was it love, after all, that she felt for him, this mysterious man who had so beguilingly pulled her through her dressing-room mirror, not once, but several times now? So she silently placed her hand in his, while he, also remaining silent, led her toward the lake.

Just as she was about to step into the little boat, she was suddenly seized by a great sense of urgency, and turned back to look at him. She had to know...and she had to tell him, also...

"What is it, Christine?" he asked, gravely.

She felt a sudden rush of feeling. Tears sparkled in her eyes. She had to know..."Your name, Monsieur. I must know your name..."

He had donned his mask again, but she saw an unmistakable glint in his eyes. He wanted her; his whole being yearned for her.

"Why must you know my name?" His voice, a hoarse whisper of pure pain, raced like fire through her trembling body.

"Because...I have to know the name of..." She paused, swallowing with difficulty, as he waited, poised at the edge of Paradise.

"...the man I have...fallen in love with..."

He seemed to sway for a moment. Closing his eyes, he took a deep breath.

Her heart suddenly fluttered, and she felt heat rise to her cheeks.

After a moment, he attempted to regain his composure. Her words, spoken so impulsively, had irrevocably altered everything between them. Slowly, he reached out for her hand. When she gave it to him, he gently began to pull her toward him, away from the shore of the lake.  They stood before each other, eye to eye.

"Please repeat what you just said," he pleaded, softly and intensely. His breathing had suddenly become erratic, as he clutched her hands tightly, his eyes burning.

"I said...that I have to know the name...of the man I have fallen in love with..."

He closed his eyes again, and the most beautiful smile appeared on his lips as he gathered her into his arms. One of his hands began softly caressing her hair.

"Erik," he sighed, at her temple. An errant tear slipped down his unmarred cheek. "My name is Erik..."

"It is a beautiful name..." she whispered, trembling in his arms. "It is perfect, so perfect, for you."

He brought his head down, then. Removing the mask, he kissed her, softly, tenderly.

"I love you..." His hot breath whispered upon her virgin lips. "Stay with me...Let me love you as you deserve to be loved...with the most passionate caresses, the tenderest endearments, the most ardent kisses...Stay with me, my beautiful little diva, for you are my heart and soul..."

Her heart was torn. He was making an intoxicating offer, and she wanted to accept it. Dear Lord, what was happening to her? Yes, she loved him...She could not, however, give in to his overpowering sensuality, not so soon...

She pulled out of his arms, reluctantly. "I must leave...Do not ask from me what only a husband has a right to expect ..."

Her breathing was as erratic as his, and she could not tear her eyes away from him.  He stared at her also, his rising passion evident in his entire body. He took a deep, rather shaky breath. Picking up one of her hands, he pressed a kiss upon it, smiling sadly.

"Forgive me. It was most unseemly of me...how could I offer to taint your innocence with no thought for the consequences? Yes, you must go back up above, where all is light and joy..."

"I will return...Erik." She liked the sound of his name upon her tongue. She savored it, giving him another of her shy smiles.

"I love the way you say my name, sweet Christine. Will you indeed return?"

"Yes! Oh, yes!" She squeezed his hands as tightly as she could.

"Say it, Christine! Please say it..."

"I love you, Erik..."

"Oh, my beloved..." he groaned, as he again enfolded her in his arms, taking her mouth with a voracious kiss that left her breathless. Then he released her, staring forlornly at her.

"I shall count the days until you are once more at my side, here, in this place that pays homage to Music. I shall come for you when you are ready."

She nodded, smiling so sweetly at him, it was all he could do to keep from sweeping her up in his arms, and returning to his house with her. Instead, he kissed her hand once more, then, putting his mask back on, helped her into the boat.

He rowed slowly away from the shore, while she reclined in the boat, watching him. She turned around once to look back at the house, but it was now shrouded in darkness. Christine felt a poignant joy, for she had first tasted love here, at this house on the lake. Though it was a mysterious, strange place, it was Erik's home, and so she had already begun to treasure it.

Yes, she would most definitely return.






Saturday, January 22, 2011

Fan Fiction: "Beautiful Creature of Darkness"





Disclaimer: I do not own Erik the Phantom, and yet he owns me...Neither do I own the rest of the characters. What I do own, however, is the ability to dream up new scenarios for them. I can certainly create the events that should have happened...

Author's Notes:

Erik, the Phantom of the Opera, was my first dark hero.  After him, I was totally hooked, and went looking for more of the same.  Thus I found the romantic vampire.  I've never looked back!

I would like to explain the title of this story, which, by the way, first appeared on fanfiction.net, under the pen name "Angelmuse".

The original phrase, from the musical as well as the film, is "pitiful creature of darkness". All of us phans who are madly in love with Erik (sigh...), especially in the form of one Mr. Gerard Butler, know that our Phantom is anything but a "pitiful" creature!  I don't like to think of Erik as "pitiful".   To me, this equates to "pathetic".  Erik is, indeed, a beautiful creature of darkness!   In short, I much prefer the title I have chosen.



Chapter I - A Torchlit Madness

Erik

The torches cast an eerie, fitful glow on the walls of the tunnels as the mob descended, further and further. I knew that it would not be long before they were able to discover the home that I had so lovingly, so painstakingly, designed for myself. I no longer cared...

My strength was suddenly spent. Yet, I could not let them find me, at least, not alive. They would probably tear me to pieces. Even if they failed to do so, however, I would be bound and overpowered, and taken to the police, where I would surely be caged. Bound. Overpowered. Caged. The words stung. I could not allow this to happen. I had to put an end to myself, as quickly as possible. After all, I had nothing to live for now. She had left me, to go off with that wretched aristocrat. He would ensure that she lived in total comfort, of that I was totally certain. He would care for her, and take pains so that she never felt less than secure. Her soul, however, would never again know the sweet tyranny of music's love...He would require her to leave the stage forever. No proper wife of an aristocrat could possibly follow a career on the opera stage. It was simply not done. I wondered, too, and the thought was like a dagger in my chest, whether this would be her only regret. Would she truly feel nothing for me, as she reclined in her luxurious chateau with her handsome young husband at her side? She had, after all, kissed me full on the lips. She had touched my ravaged face, and gazed into my eyes with what seemed like love. And yet, she had walked away from me...Yes, I must end it all now...

The sounds of the mob were growing louder and louder now. "Murderer!" "He must not be allowed to escape!" I looked around, not knowing what to do. I had smashed all my mirrors. None were left unscathed to torment me any further...Perhaps a shard of glass...No, that would be too painful...I wanted to leave this miserable world without agonizing interminably...I wanted to feel no more. This pain tearing at my gut, this horrible pain, the pain of betrayal, was much more than I could bear...I began to search wildly for my pistol. That would be the most efficient method of ending my agony. I would simply put it to my right temple, and pull the trigger. Then, it would all be over. The music of the night had already ended. I would probably never play or compose again. My beautiful muse, my angel, my Christine, was gone. Where was that blasted pistol? I searched like a madman for it. Never had I dreamed that I would turn my onetime lust to kill upon myself. It was entirely logical, however. Was this not a fitting end to a murderer's life?

I ran from room to room, my heart pounding as if it would break out of my chest, my head feeling as if a hammer had installed itself inside. Sweat dripping from me, I tried to locate the pistol. The sounds were growing ever closer...Then I heard it. Someone was calling out my name. No, it couldn't be! I must locate that pistol!

Finally, I went into a small storeroom that I had always kept locked. It was located directly behind Christine's former bedroom, and she knew nothing of its existence, as it was very cleverly hidden. Surely the pistol was ensconced within. I had no time to look for the key, although I was fairly confident that I knew where it was. This, of course, was not a problem at all. Lock picking was the least of my considerable talents.

The door was at last open, and I stepped inside. As I did so, I heard the voice again...I shook my head, deciding that it had to be my imagination, playing tricks on me. Surely it could not be her voice! I rummaged around inside the storeroom, cursing myself for not bringing a candle with me. There were odds and ends in there, including old sheet music and discarded clothing. No pistol as yet...I went further inside, groping blindly, with a grim determination to find the instrument that would blow my disfigured head to kingdom come. I would no longer horrify, no longer offend, no longer be in the way. My existence would cease to present a problem to others.

Ah, my questing right hand finally closed on the object of my search. Success! I drew the pistol out of its hiding place, gloating like a man who has found a treasure. Well, in a manner of speaking, I had. This was the treasure that would at last set me free. I would leave all this torment, all this unbearable pain, and would be forcibly transported to sweet oblivion. That was all I truly wanted now.

I stepped out of the storeroom, and into Christine's bedroom. Ah, it seemed most fitting for me to do the deed here. I would splatter my brains, my blood, all over the bed where I had once laid her, the night she fainted after seeing her likeness decked in wedding finery. After checking the pistol to make sure that it was properly loaded, I put it to my right temple. My hand was trembling violently, my chest heaving just as violently. Uncharacteristically, I breathed a quick prayer asking for forgiveness. I suppose one's childhood teachings never completely desert one, especially in times of great need. I had, after all, been raised a Catholic, and I knew the Church's view on suicide. Once finished with my simple little prayer, I cocked the pistol.

"Erik!"

I whirled around, my arm still raised to my temple. She stood there, her gown sopping wet, her beautiful hair bedraggled, and her face, her lovely face, was twisted with a terrible anguish, an anguish that caused a fresh fire of pain to knife me in the chest.

"Erik, for the love of God!" she screamed, though not daring to come toward me, fearing that I might do the unthinkable, and pull the trigger right in front of her.

She now took two tentative steps in my direction, holding her hands out in a pleading gesture. Tears poured down her face. She had never looked more beautiful to my eyes. She seemed to be a vision from beyond. For one stunning, time-stopping moment, I thought that perhaps I had pulled the trigger, and was seeing a denizen from the highest reaches of the heavenly realm. I stood completely still, frozen and numb. This could just not be happening...

"Erik, please... " she entreated me, now approaching, yet slowly. "Put that horrible thing down, please. Do you wish my life to end, also? It surely will if you do away with yourself. Please, my love, my angel!" As she finished saying these words, a great racking sob tore through her. I continued to stare at her, stupefied into immobility.

Two or three minutes passed, while we both stood, staring at each other, with the background noises of the approaching mob now incredibly loud in the passages near the lake. At last, I put my arm down, slowly, though still staring at her, not able to feel anything, totally in shock as I was.  She inhaled sharply, and then suddenly rushed toward me, weeping hysterically. She came right into my arms, and they automatically went around her, as tears began pouring from my own eyes. I began to shake with an uncontrollable emotion, tightening my arms around her. "Christine. Christine," I murmured over and over, as we both sobbed into each other's arms...

"This is the way!" a voice screamed, too close to the lake...Suddenly I sprang into action. Letting the pistol clatter to the ground, I swung her into my arms, and went out into the lake. I splashed my way to the grilled gate, now remembering that it had stayed open when Christine and Raoul had left. However, it was not up far enough. Apparently, it had come down to some extent after they had gone through it.

"Erik, hurry!" Christine screamed, jumping down from my arms. I pushed at the lever, and was able to raise the gate further. Impatiently, she grabbed my hand, and we bent down a bit so as to go underneath the gate. My little angel had apparently abruptly taken charge of the situation!

We kept on, splashing through the rather murky water, our hearts pounding as one. On and on, as behind us, there were suddenly cries of "The gate! He has escaped through the gate!" and "After him, my lads!"

"Christine!" I cried out, panting, as I marveled at her swiftness, although I was easily able to keep up with her, "Where do you think you are taking me? Have you any idea, sweet?"

She turned suddenly to look at me, and the smile I had started to direct at her, in spite of the grimness of the situation, disappeared from my face. Her face was completely drained of color, and her eyes were like those of a hunted animal. We stared at each other briefly as we ran, and then, characteristically, she fainted right then and there. I was able to catch her as she fell, and kept right on running without breaking stride.
I would take another passageway that I was sure Raoul would not have known about. He and Christine would most likely have taken the most obvious route, which lay straight ahead of them. They would never have noticed this other route, which was invisible to the naked eye. I had to push a particular stone in the wall, and we would be through. I would then shut it behind us, and we would never be followed. The mob, if they dared to go that far, would believe that we had simply vanished. That suited our purposes perfectly.

Reaching the place where I was sure the hidden passageway lay, I paused, shifting Christine to my right shoulder. I began feeling along the wall with sensitive fingers, hoping to find the slight dip that would indicate a movable stone. It only took a couple of minutes for me to find it. I then pushed in just the right way, and the stone slid inward. Reaching inside, I felt around for the hidden lever that would open a door in the wall. As I did so, Christine moved slightly on my shoulder, and pausing in my efforts, I turned to look down at her. She was still unconscious, however, so I continued with my task. Finding the lever, I pulled on it with as much strength as I could muster, given that I had to keep my balance so I would not drop her. The lever moved forward, and I heard a dull roar as the mighty stone door opened. I stepped through, and, turning, pushed the door shut. There was still water in the passageway, as the underground lake continued throughout the entire length of the foundations of the Opera House. I sloshed on in the darkness, entirely sure of where we were going. Had I not designed all these passageways myself?

It would not be long now. We would soon emerge out into the street. However, there was now fresh cause for distress. I had forgotten my mask in the rush to get away! No one had seen my face, not even at the very end of my opera, "Don Juan Triumphant". I would probably not be recognized, and Christine would perhaps be taken for a victim of the great chandelier disaster, if she were still unconscious when we left the Opera House.

I pushed forward with new-found strength. My concern was now for her. I had to save her; she was my love, and had risked her own life to come back for me. On and on I went, while my angel slept on, unknowing. Ah, such sweetness, to carry this beloved woman in my arms! If necessary, I would carry her to the ends of the earth...

At last, I felt the lake bottom growing shallower, and finally emerged on the shore. There was a gentle slope leading up to the steps that would take me to the door that opened out into the street. This door would, naturally enough, be locked, but that was the least of my worries.

Finding the steps, I took them two at a time, bearing my precious burden in my arms. Her weight was slight, yet, had it been heavier, I would gladly have borne it without question. The steps seemed interminable. Up and up I went. At long last, I came to the door. Setting her carefully upon my left shoulder, I began to expertly pick the huge lock. At first, nothing happened, and the sweat began to collect upon my brow. Then, after two or three desperate tries, the lock gave. Pushing with all my strength, I was able to make the door move, albeit quite slowly.

The door swung open on its rusty, time-worn hinges. There was a sudden little breeze on my face. I stepped out onto a badly-lit alley, mindful of my sweet burden. Turning, I again applied all my strength, and pushed the door shut.