Showing posts with label book tours. Show all posts
Showing posts with label book tours. Show all posts

Monday, October 15, 2018

Tour Book Review: Lone Star Christmas, by Delores Fossen



Lone Star Christmas
(Coldwater Texas, Book 1)
Delores Fossen
Mass Market Paperback, 384 pages
HQN
September 25, 2018
Christmas Romance, Contemporary Romance
Holiday Romance






A family crisis brings him home...Just in time for Christmas.

Cattleman Callen Laramie has no intention of returning to his hometown of Coldwater, Texas, until a Christmas wedding and a family secret convince him he has no choice. And when he's reunited with his childhood crush, the girl who'd always been off-limits, Callen knows leaving might not be so easy this time. 

Shelby McCall is as pretty as a Christmas snowfall, and Callen wants to kiss her under the mistletoe...and the Christmas tree...and the stars. But once Shelby knows the whole truth behind this homecoming, will their holiday fling come to an abrupt end? Or will she accept the gift of his heart?





Note
I received a complimentary copy of this book 
from TLC Book Tours, in exchange 
for an honest review.
All opinions are my own.


Although it's a bit early for Christmas romance novels, I eagerly signed up for this tour, as I think there's something extra special about such romance novels! So I was really looking forward to diving into this one, especially after reading the synopsis.

In the final analysis, however, I find that I'm really torn about this book. I wanted to love it wholeheartedly, but unfortunately, I can't say that I do. There were things I did love, but then there were others that took away from my full enjoyment of the novel. I'm aware, because I've read other reviews, that some readers have, indeed, totally loved this novel. Since I am firmly committed to providing honest reviews, though, I have to say that I am not among those who have raved about this book.

I will start with the positives first, and there were definitely a lot of them!

The story did turn out to be a great one! The themes were perfect for the Christmas season -- romance, strong family connections, and the fostering of troubled children. All the ingredients that lead reviewers to use the adjectives of "touching", "emotional", and "heartwarming" were very much present. And the characters were very real people to whom any romance novel fan could easily relate; their joys and sorrows definitely made me empathize with them. I desperately wanted things to work out in the end for everyone, including the secondary characters!

Callen and Shelby were a wonderful couple! They had spent part of their childhood together, in the small town of Coldwater, Texas. Callen and his three brothers -- Kace, Judd, and Nico -- were foster kids who had come to live with Shelby's family. They subsequently developed a warm relationship with Buck, Shelby's dad, who was like a real father to them. 

Even back then, there was an attraction between Callen and Shelby. When Callen left Coldwater, at the age of eighteen, he had to leave that attraction behind, as Shelby was off-limits to him then. When they were unexpectedly reunited due to an upcoming family wedding, fourteen years later, the smoldering ashes turned into a raging fire. The question remained, though: would all that passion eventually turn into something lasting?

Callen was a great guy! He was not only very easy on the eyes (the author described him in a very appealing way), but he also had integrity, honesty, and a good heart. Even before he had fully committed to his relationship with Shelby, he was concerned about not hurting her, since she had already had a romantic disappointment in the past.

Shelby was a very sweet, yet assertive, woman. I liked how she "melted" around Callen, while not allowing him to control her in any way. I also liked the way she dealt with Gavin, her former love interest. 

Both of these wonderful protagonists also had one thing in common, which helped to bond them together: their love and concern for Buck, the man who had played such an important part in their lives.

Callen and Shelby were, paradoxically, conflicted about their relationship, for different reasons. They were initially only interested in a holiday fling, although Shelby did want it to be so much more than that. So this was the typical "lust to love" romance that is a frequent romance novel trope. Fossen dealt with it very skillfully, though. Besides, we romance fans love to read about obstacles to romance being overcome by the couples in these novels!

The secondary characters were also wonderful, with the possible exception of Havana, Callen's assistant. But more about that later.

Buck, the foster father, was one of those wonderful secondary characters! As I mentioned above, he was a real father figure to Callen and his brothers, as he was to every foster kid he took under his wing. He was a totally dedicated family man, a strong, yet gentle, caring, authority figure whom his foster kids could love and look up to. And he was crazy in love with Rosy, his longtime girlfriend, whom he was planning to marry around Christmas. There were several scenes in the novel that beautifully depicted just how much he loved her. It was so touching, too, to see how he put his family's needs ahead of his own at all times, even when his health had recently become a matter of concern for all of them.

I also loved Rosy! She was a quirky, lovable person with a wacky sense of humor. In addition to this, her devotion to Buck was so sweet! She was truly there for him, and her loving care for the foster kids was part of her devotion to this man who was the world to her. 

This secondary romance was nicely contrasted with the main one between Callen and Shelby. There were differences and similarities, but the similarities definitely outweighed the differences. Both couples were just wonderful together!

Going back to the story, I loved the way Fossen wove all of the several elements together to create a wonderful holiday tapestry! All loose ends were firmly tied together in a very satisfying way by the end of the story. I love happy endings! 

In spite of all of the positives I've mentioned so far, I did have a couple of problems with this book. It wasn't that "Christmasy", except toward the end, but that's not the main issue I have with it. It's the overall tone of the novel that bothers me.

I've read "lust to love" romance novels before, so they're nothing new to me. I've read romance novels with somewhat graphic sex scenes, as well. These things are not that much of a problem for me, as long as the descriptions don't get TOO graphic. But I'm well aware that, unless a romance novel is described as "a clean read", sensual elements will definitely be present in it. 

So what was it that bothered me so much? It was the unfortunate fact that this particular novel was -- IS -- peppered with so-called "sexual humor". There were numerous instances of this throughout the story, and I found them vulgar and offensive. Some people would not be at all bothered by such things, but I certainly am. So this is why I am unable to give this novel the solid five stars it would have otherwise deserved. As I stated above, the story and characters were wonderful and compelling. But, the author's constant sexual innuendoes and outright, explicit sexual "jokes" constantly interfered with my enjoyment of what was obviously a great story. I just feel that there was no need for this type of thing.

I can cite numerous examples of this "sexual humor", but I won't provide actual quotes, as I find them too embarrassing to post publicly. I will simply explain them without using the actual language employed by the author.

First of all, there are two instances in which Shelby encounters old men who are obviously mentally unbalanced perverts, and this happens in two of the beginning chapters of the book. One of these men is dressed as Santa Claus, and she comes across him when she drives from Coldwater to Dallas, where Callen lives, to attempt to persuade him (Callen) to attend Buck and Rosy's wedding. The other man is known as "Gopher", and lives in Coldwater. 

Both of these men exposed different parts of their sexual anatomy to Shelby. Both men were drunk, too. In the case of the Santa Claus, he was arrested right away. In Gopher's case, he was not. From the context of this incident, it was abundantly clear that his behavior was long-standing; yet, nothing was being done about it. He was not arrested when he accosted Shelby, even though the sheriff was a witness to his actions. He could have exposed himself to a child, for Pete's sake!

The author treated both incidents as funny, and used vulgar language to describe them. I found nothing funny about these incidents at all. I especially disliked the Santa Claus incident, just because it referred to that beloved Christmas character. To me, this was just tasteless and offensive. 

I referred briefly to Havana above. When the reader first meets her, she is greeting Shelby shortly after the latter arrives at Callen's office building. Havana introduces herself, and then escorts Shelby to Callen's office. On the way there, she confidentially tells Shelby, "Callen moans out your name during sex." Then she laughs at Shelby's shock, and says that she was just "kidding". Again, I fail to see the humor in this. Had Havana said that to ME, I would have replied, "Excuse me, I forgot something," and promptly left the office. And, I would NOT have returned. Instead, I would have called Callen to complain about his assistant's inappropriate remark, and requested to meet him elsewhere.

Throughout the novel, whenever she appeared in the story, Havana continued to engage in such vulgarities. Although she was a sweet person, I found it very difficult to like her because of these comments.

There are more instances of this type of "humor". Callen refers pretty often to his memory of Buck's threat to castrate any of the boys who dared to touch Shelby, when they were all teens. Of course, this wasn't meant literally, but again, this is treated as funny. I could have tolerated ONE mention of this standing family "joke". But there were quite a few mentions of it, which I thought was overkill.

There are frequent references to the sex act with vulgar words that I prefer not to repeat here. At one point, Callen tells Nico, his younger brother, to keep his (insert vulgar word) in his pants whenever he (Nico) is around Callen's assistant, Havana. Callen then tries not to conjure up an image of his kid brother (insert vulgar word) his assistant.

In addition to these things, the relationship between Callen and Shelby starts off as an entirely lustful one. Again, I've seen this type of plot before. I just haven't seen so many comments made by the characters in such a relationship, that explicitly comment on the sexual act in vulgar terms. Also, at one point, one of Callen's friends comments, "Hard to have sex when you're three hundred miles away." There's sexual innuendo obviously involved in this remark.

Then there's the case of the wedding cake topper.... Rosy is trying to choose which one of three she will buy, and one of them happens to be a rearing stallion, who is very...... well, I think you get the picture.

I have only referred to a few of the instances of tasteless "sexual humor" included in this novel. Again, I don't see the need for any of this stuff. The story was just fine without it! Certainly I'm not at all against using humor in a romance novel. I just don't like the vulgar variety.

In short, I would have enjoyed this story a heck of a lot more, had these elements not been present. I feel that they partially ruined the story for me. I reiterate that I am not new to sensual romance novels; I've read such books before, but not with so many inappropriate comments and references included on nearly every page.

I was especially disappointed to find these elements in a Christmas-themed romance novel, too. Christmas is such a wonderful, special time of year! I would never have expected to find anything objectionable in a novel set during this beautiful season. Christmas is a family holiday, after all. So I was expecting Fossen to focus on such things as joyful family events (which she did, to some extent), the fun of decorating for the holiday (she also did this, but not frequently enough), and sweet, romantic moments between the main and secondary couples (these moments were all sexually charged, to the near exclusion of any tender, romantic feelings).

I would still recommend this novel for the wonderful story and characters, with the caveat that it's only for those who don't mind raunchy comments and "jokes" mixed in with their Christmas romance. 

MY RATING:




Purchase Links








USA Today bestselling author, Delores Fossen, has sold over 70 novels, with millions of copies of her books in print worldwide. She’s received the Booksellers’ Best Award, the Romantic Times Reviewers’ Choice Award, and was a finalist for the prestigious Rita ®. In addition, she’s had nearly a hundred short stories and articles published in national magazines.




To access the complete tour schedule, just click on the button below!

https://tlcbooktours.com/2018/07/delores-fossen-author-of-lone-star-christmas-on-tour-september-october-2018/




Friday, June 27, 2014

Blog Tour: Interview/Giveaway!! Rough Trails and Shallow Graves, by Hays & McFall




Please join me in  welcoming 
Clark Hays and Kathleen McFall, authors of
Rough Trails and Shallow Graves,
to
A Night's Dream of Books!!

This tour is sponsored by
Bewitching Book Tours!!





Interview

Maria: I will be addressing most of my questions to both of you, and maybe a couple to each of you individually. Of course, feel free to jump in and add details to each other's answers, if you like.

Now, how did you two first meet? Did you both know each was a writer at the time?

C & K: We met in an eco-vegetarian, perfume-free restaurant in Portland, Oregon. Kathleen had just moved to Portland with her (then) 3-year-old daughter. Clark had also just moved to Portland from Montana. Clark was the sous-chef, Kathleen was a waitress. While the attraction was instant and electric, we were both married (to different people) at the time, so we bonded  over poetry and chocolate mousse, short stories, Hungarian mushroom soup, book reviews, and rosemary chicken. We ate together during breaks and became friends. Kathleen was just getting her writing legs at that point, and Clark helped her along by sharing his work. According to Kathleen, Clark inspired her to take writing more seriously. According to Clark, Kathleen was already a better writer, and she inspired him to become a better writer. Romantically, we "took the high road", but that spark smoldered for several years until our circumstances changed.

Maria: What prompted you to start writing novels together?

C & K: When we finally unraveled our lives enough to fall in love, it was intense, overwhelming, and shattering. So much so, we couldn't stand the fire, and after six months, we broke up in a way that traumatized us both. A year passed with not a word spoken between us, and then a single postcard Kathleen sent to Clark when she was traveling in France got it going again: "Stephanie and I wish you were here. The French love cowboys. You would fit in really well. Love, Kathleen." Clark was waiting on her porch when she got back to Portland. And so we decided to test our love by writing a book together.

Maria: Kathleen, in what ways is your writing style different from Clark's?

Kathleen: I am more serious, and have a literary, experimental bent. My writing gods are the Russian masters, and I need my words to have an undercurrent of philosophical significance. I'm not very funny; well, at least not intentionally.

Maria: Clark, in what ways is your own writing style different from Kathleen's?

Clark: I am definitely more into humor and action and entertainment value. I draw from graphic novels, everything Louis L'Amour wrote, and early occult and metaphysical fiction. I think it's safe to say I aspire to write with literary intent, like Kathleen.

Maria: Could you give us some idea as to what your characters are up to in Rough Trails and Shallow Graves?

C & K: Tucker and Lizzie are grappling with the realities of sustaining a romantic relationship after life starts getting....complicated. Plus there are vampire politics, mercenary armies, and twisted scientific experiments.

Maria: In what ways would you say Tucker and Lizzie complement and balance each other?

C & K: Tucker and Lizzie are from vastly different worlds -- New York City versus tiny LonePine, human versus vampire, cerebral versus physical -- and they have a complicated but complementary yin-yang relationship. We like to think that they reflect the best part about our own relationship: matching neuroses. His insecurities are smoothed out by her strengths, and vice versa. Their rough edges fit together, and they make each other better in the process.

Maria: Are you planning to write more novels in this series?

C & K: Yes! We are working on book four of The Cowboy and the Vampire Collection. We've promised our readers that we will quickly resolve the "issue" that occurs between Tucker and Lizzie at the end of book three. Right now, we are seeking out a name for a new evil female character. Any ideas from your blog readers would be much appreciated.

Maria: Some PNR/UF readers say that the vampire romance is pretty much washed up, that there's nothing new you can write in this genre. I happen to disagree -- especially since you guys have come up with this unique combination of a cowboy and a vampire! Why do you think these readers are saying this, and what would you tell them?

C & K: Vampires are never going to die because they are undead, of course, and also because, as an archetype, they are able to contain and amplify the themes, fears, and cultural currents we project onto them -- sex, mortality, decadence, evil, death. We (Kathleen and Clark) joke that they are "literary tofu", soaking up whatever flavors authors choose to marinate them in; in our series, we use vampires to focus on politics, animal rights, human consciousness, and more. The market may be saturated, but that's only with one spectrum of vampires. There's always new territory to explore.

Maria: Do each of you have different techniques you use in writing dynamic, fascinating plots? If so, what are they, and how do you combine them?

C & K: We are meticulous plotters. Before we start a book, we sketch out the big strokes -- the conflict, the themes, the resolution -- usually on loud, argumentative walks in Forest Park. Once we get all that ironed out and start speaking to each other again, we plot out the specific chapters, also on boisterous walks (other hikers must hate to see us coming), then we sit down, open up our computers, and promptly toss it all out the window and dive in. We know where we want each chapter to start and end, and we trust each other, and our characters, enough to know we're going to make something magical in the process. Then comes the long, arduous task of editing and making hard choices about the direction of various plot twists. At least that arguing is usually confined to indoors.

Maria: What books and writers do each of you most admire, and why?

C & K: For Kathleen, it's Anna Karenina, by Leo Tolstoy. For Clark, it's Guns, Germs, and Steel, by Jared Diamond. There's an unexpected connection there. Check out Jared Diamond to discover it.

Maria: What do you think makes readers who enjoy PNR/UF romances different from those who don't?

C & K: We are dreamers who are never satisfied with the constraints of reality. Readers in the PNR/UF genre want/demand/require a world that is richer, bigger, more complex and more mysterious than the world we live in. We're not satisfied with ordinary, and that makes us dreamers powered by imagination.

Maria: When and where do each of you find it most comfortable to write? Any differences?

C & K: We both work in communications, and we both have worked as freelancers, so we are able to turn it on just about anywhere, as long as there is a deadline involved (and we are very good about self-imposed deadlines). In a perfect world, the most comfortable place to write, for Kathleen, would be in a big bay window overlooking the ocean on the Oregon coast, in the fall, with a fire in the fireplace and a glass of wine. For Clark, it would be in a cabin overlooking a mountain lake with a winter storm sweeping in, and a fire in the fireplace. And a glass of whiskey.

Maria: What project(s) are you currently working on? Will you continue to collaborate, as well as perhaps start writing books individually?

C & K: We are starting book four in The Cowboy and the Vampire Collection, and we are excited to kick off a new mystery/thriller series set in Portland. As for individual projects, we always have stuff cooking, but we will always collaborate on  everything. At this point, we so completely rely on the other person to provide edits, feedback, and guidance, even a grocery list is practically a collaboration!                    



Interviewer's Note

 I'd like to thank Clark Hays
and Kathleen McFall
for a most informative and
entertaining interview!



Tuesday, May 20, 2014

The May Book Festival and Giveaway!!



 
This Hop is brought to you by

13 AUTHORS OVER 3 DAYS

GENRES 
Epic Fantasy, Literary Fiction, 
Paranormal Fiction, 
Romance, Science Fiction, YA
TOUR LINK  
May Book Festival
Find AMAZING books of unrivaled quality,
 by clicking on the tour link above!

***For those who prefer printed editions, 
some of these books are 
also available in printed format.***


For this post, each participant is 
supposed to pick a favorite book,
as well as include a picture of a character 
they feel would be
perfect for the book chosen.

Here are my choices!!
(Click on the book cover for
the Goodreads description.)

https://www.goodreads.com/book/show/17130424-colony-earth?ac=1
 


I selected Colony Earth (and I'm interested in the sequels, too) because I love the science fiction genre!  Also, I think it's very interesting that mythology is part of the plot.  It sure sounds like this will be a fascinating series!

As for the character picture, I think Mr. Spock is the obvious, logical choice for a character that would fit in the plot of this book.  As the Chief Science Officer for the Starship "Enterprise", his main duty is to analyze and compute all pertinent science data for the starship's missions in space.  Therefore, his input would have been most valuable to the advanced technological civilization that originally interacted with the ancient Sumerians.  His approach to a problem, whether of a scientific or political nature, is always logical, but he is most willing to improvise new, thoroughly thought-out alternatives if new problems arise.


These are the sequels, also part
of The May Book Festival!!
(Click on the covers for info.)

https://www.goodreads.com/book/show/17569026-khamlok-book-2-of-the-alterran-legacy-series

https://www.goodreads.com/book/show/21973851-resurrection


GIVEAWAYS!!!

Check out the prizes the authors 
are sponsoring!!
FOR READERS
A KINDLE FIRE
PLUS
2 featured eBooks from each author.
PARTiCIPATING BLOGGERS ONLY
2 X $20
in cash via paypal or gift card via Amazon 
(your choice)


REMEMBER! Follow the hop by visiting 
as many of the blogs at the tour link
above as possible!
And  visit featured authors:





Fabulosity Reads Book Promotions is a book touring website that promotes authors and their precious works to an extensive audience, using blogs, Twitter, Facebook, and other social media, with the aim of introducing them to an  appreciative readership.

They offer a diverse range of complimentary and affordable products to help the reach of your book go that much further.





Monday, March 3, 2014

Blog Tour: Interview/Giveaway!! E. Van Lowe, author of the Falling Angels Saga




Welcome to this stop in the 
Falling Angels Saga Tour, 
sponsored by 
Bewitching Book Tours!!





E. Van Lowe




Author Interview

Maria:  Have you always wanted to be a novelist, or did you decide to become one after doing other kinds of writing, such as your work for famous TV shows?

E.:  I've wanted to write books since I was ten years old.  Throughout my career in TV and film I always knew I was going to return to my great love one day.  Now I'm back to writing books, and it feels great.  Home at last!

Maria:  Do you feel that your TV, play, and screenwriting experience has influenced your novels, and/or vice versa?  If so, how?

E.:  Working in TV definitely influenced my ability to write the way I do today.  Early in my career, I was fortunate enough to write for Bill Cosby and "The Cosby Show".  It was there I learned how to interject humor into story-telling.  I knew how to tell a good joke before then, but writing humor was new to me.  If you've read any of my novels, you know how humorous they are.  I learned that very important skill writing for "The Cosby Show".

Maria:  How do your characters present themselves to you?  Do they suddenly appear, full-blown, in your mind's eye, or do they whisper in your ear, letting you know that you have to follow them down the yellow brick road if you want to get to know them better?

E.:  My characters appear as strangers at first.  It's as if I get a glimpse of them across the room and our eyes meet, and we both know we have to get to know one another.  I always think I know them much better than I do when we first meet.  Even as the creator of these characters, I'm often surprised by the differences in them as I get to know them.  Part of the fun for me is getting to know them just as you (the reader) are getting to know them.

Maria:  What prompted you to choose the young adult genre?

E.:  I wasn't planning on writing YA.  The genre kind of chose me.  In 2001 I developed a show for the Disney Channel -- "Even Stevens".  I discovered during the process that I remembered my teen and pre-teen years as if it was yesterday.  Not so much the actions of those years, but the intense emotions.  After "Even Stevens", I came up with an idea for another TV show that Disney didn't buy.  I tried to sell it to Nick At Night, but there was no interest there, either.  So I decided to write it as a novel.  A third of the way in, I abandoned the idea, and wrote Never Slow Dance With A Zombie (an idea that came to me out of the blue).  I've been writing paranormal YA with humor ever since.  By the way, I never went back to the original idea.

Maria:  What wild and zany adventures would you enjoy having, if you could?

E.:  While wild and zany things may happen to my characters, I, on the other hand, like to keep things pretty calm.  Lying on a beach with a tropical drink in my hand is my idea of adventure.  I'll restrict the zany adventures to my characters for others to enjoy.

Maria:  Do you think it's important to balance drama with some humor, in novels with a predominantly dramatic plot?

E.:  I believe every good story needs what I call a dramatic underpinning.  This underpinning has more to do with a character's emotions and emotional needs than a plot line.  Plot and humor must come after this.  If you don't make an emotional connection with readers, humor won't matter.

Maria:  While writing these novels, did you at any point find yourself asking a character, "Now WHY did you that?"  If so, did the character give you a good reason for their behavior?

E.:  I've never asked that question.  I'm kind of an observer.  However, I can't tell you how many times I've stopped and said, "I wish you hadn't said or done that."  Because sometimes my characters do or say things and I have no idea what comes next.  This can be frustrating, but it's also what keeps the journey interesting for me.

Monday, September 2, 2013

Blog Tour Book Review: The Darwin Elevator, by Jason M. Hough


The Darwin Elevator
(Dire Earth Cycle, #1)
Jason M. Hough
Mass Market Paperback, 496 pages
Del Rey, July 30, 2013
Dystopian Fiction, Science Fiction, Thriller


This gritty, dystopian science fiction novel is, amazingly enough, a debut, and yet it's already a New York Times bestseller!  Having gone for some time without reading any science fiction, I decided I had to check this one out to see what all the fuss was about.

I can honestly say that this is indeed a very interesting, highly complex novel that introduces a compelling set of characters, placing them in a very bleak future in which an alien plague has struck Earth, wiping out large segments of the population, while turning the survivors into savage, irrational creatures known as "subhumans".  Indeed, the disease itself is called by an acronym -- SUBS; this is clearly reminiscent of the AIDS virus.  About twelve years before this plague first appeared, another strange phenomenon manifested -- a space elevator, installed in the city of Darwin, Australia, by mysterious aliens known only as "The Builders".  Even more puzzling is the fact that this elevator emits an aura that suppresses -- although it doesn't cure -- the plague symptoms.  It also protects anyone who hasn't yet caught the disease.  Needless to say, everyone who can do so immediately travels to Darwin, in hopes of getting under this protection.   Eventually, a 'city' of space stations grows around the upper reaches of the elevator, being inhabited mostly by scientists.  These inhabitants are known as "Orbitals".

There are humans who, for some mysterious reason, are immune to the plague, and can move around safely in what is known as the "Clear" -- all territory outside the invisible influence of the Aura.  

Skyler Luiken, one of the main characters, is an immune.  Together with a crew of other immunes, he embarks on scavenging missions to bring back usable items requested by those who can afford to pay for them.  The crew flies to different parts of the world on an airship known as Melville, which is a nice literary nod to that author.  They are sent on these missions by someone named Prumble, the intermediary between the scavengers and his clients. 

I really like Skyler.  He has a lot of self-doubts, and yet, when the situation requires it, he meets danger head on.  He's resourceful as well as courageous.  He's also a tenderhearted romantic, although Hough doesn't allow that side of him to be seen too much in this novel.

Dr. Tania Sharma, the Orbital scientist, meets Skyler and his crew when Neil Platz, the world's wealthiest man, sends her to Hawaii on a secret project.  This trip sets off the novel's central conflict, which pits the villainous Russell Blackfield, with his overbearing lust for power, against Platz and members of the Orbital Council, chief of whom is Alex Warthen. 

Skyler and Tania are caught in the midst of all the mayhem, and Hough throws in a hint of romance between them, which I do wish he had developed further.  Perhaps he will, in the subsequent novels of this series.  However, there's no doubt that he focuses mostly on all the action and intricate plotting.

I found Dr. Sharma somewhat disappointing as a character, at first.  Samantha, a member of Skyler's crew, came on too strong, but Tania Sharma was barely there.  While she was surely competent in the gathering and interpretation of the data needed for Platz's project, she seemed to be a bit too much on the bland side.  It was not until the very end of the novel that her intelligence and shrewdness really became apparent.

I have mixed feelings about Samantha.  Although I do admire kick-butt heroines, and she certainly is one of them, I don't like that she curses more than all her fellow scavengers, who are male. 

Then there's Neil Platz, the rather enigmatic financial genius behind most of the technology in the novel, with the exception of The Builders' elevator, of course.  He is the architect of the Orbital world clustered around the Darwin Elevator.  Yet, he holds a terrible secret that not even his protégé, Tania Sharma, knows about.... He is, I think, the most fascinating of all the fictional people created by Hough for this novel.

Of all the characters, I found Russell Blackfield to be the most distasteful, with his perverted sense of humor and delusions of grandeur.  Of course, these qualities made him an excellent villain.   

It's undeniable that all of Hough's characters are realistically drawn; although they do lack some depth.  I wish he had made them more well-rounded.  Still, they do interest me enough (except for Blackfield, of course) to draw me into their story.  However, it is indeed the plot that takes center stage throughout.

The world-building is excellent.  Hough takes some time with that, so the book does start off a bit on the slow side, while every detail is laid in for the reader's benefit, but it does pick up toward the middle.  The technology is very well extrapolated from our current cutting-edge developments.  This is a very plausible, believable future scenario. 

The desolation and eerie loneliness of the places the scavengers visit is well described, and it's horrible when the "subs" break the bleak mood to attack our heroes.  The terrible conditions of the "Clear" are well contrasted with the sterilized, squeaky clean environment of the space stations, and the first hints of what seems to be, on some level, class warfare, appear.

The climax of the novel is riveting, with dramatic impact on the whole Darwin/Orbital scenario.  The author left the ending open-ended, because the action will continue in the next two novels in this fascinating series.

I think this novel would translate quite well to the silver screen, and I hope it will get there within the near future, because I'd love to see it!  Given the book's length, I'm sure some scenes would be altered or completely left out.  This would be a fascinating film saga, if the next two books also become movies.  And I really don't see why this wouldn't happen; this is a solid space adventure with a very interesting science backdrop, as well as speculation on who these alien 'Builders' could possibly be.  In fact, the style of the novel reminded me of the great Arthur C. Clarke.  I'm thinking specifically of his classic, Childhood's End, although The Darwin Elevator bears no similarity to it.  Still, the sense of an apocalyptic ending to humanity hangs heavily over both novels, and I would say that Clarke and Hough share the same creative and scientific mindsets.

In conclusion, I would say that Hough is a writer to watch!  This is science fiction which not only entertains, but also creates thought-provoking speculation on the ultimate fate of humanity.  I really enjoyed reading it, and highly recommend it to all science fiction aficionados!  (To which group I am proud to say I belong!)


MY RATING:







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Reviewer's Note
I'd like to thank TLC Book Tours
for including me in this tour, as well as
for providing a copy of this exciting novel!





Jason M. Hough


About the Author

Jason M. Hough (pronounced 'Huff') is a former 3D Artist and Game Designer (Metal Fatigue, Aliens vs. Predator: Extinction, and many others). Writing fiction became a hobby for him in 2007 and quickly turned into an obsession. He started writing THE DARWIN ELEVATOR in 2008 as a Nanowrimo project, and kept refining the manuscript until 2011 when it sold to Del Rey along with a contract for two sequels. The trilogy, collectively called THE DIRE EARTH CYCLE, will be released in the summer of 2013.

He lives in San Diego, California with his wife and two young sons.




Jason M. Hough Online
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