Tuesday, November 9, 2010

ROBSTEN KISSES!!!!!!!



Actors Robert Pattinson (Edward Cullen) and Kristen Stewart (Bella Swan) were recently photographed smooching away, on a crowded Brazilian street. They're on location in Brazil for the filming of the honeymoon scenes in the first "Breaking Dawn" movie installment.

I just HAD to post this, because I LOVE to see them this way, all sweet and romantic...sigh...

I'm sure all of you fellow Twilighters out there, especially those on Team Edward, will love this, too! Enjoy!!


(photos courtesy http://twilightnovelnovice.com/)

Sunday, November 7, 2010

Sunday night in Lothlorien

Everyone knows that Sunday nights are depressing. We're all dreading the loss of freedom we basked in during the weekend. We start thinking about the morning commute, the tasks awaiting us at the office, the classroom, or wherever else we might work...

For the writer, it's not just the loss of freedom, but the loss of time in which to do creative work. It's the dreaded anticipation of a return to the mundane, the routine, the absolutely uninspiring world of work. The feeling of abject despair is made even worse by the realization that one is trapped, that one is merely working to make a living.

I can hear my muses crying in frustration...

Blogging has now become my outlet, the way back to my creative self. No one and nothing can stop me from doing it. I may not be able to post something every single day, but I have definitely committed to posting at least once a week.

In that other, very seductive world, there are more important, meaningful things to occupy one's time. There are quests to go on, princes to escort one to the ball, dragons to slay, and wicked wizards to destroy. How much more appealing than the daily corporate grind!

So I've been trying to come up with a solution. Thanks to a book I've recently discovered, I am now going to commit to daily writing practice. Yes, indeed! I may or may not post these practice sessions. We shall see...

The book is titled "The Writer's Book of Days", and the author is Judy Reeves. It contains very valuable advice for writers, along with writing prompts for every day of the year.

Since today is November 7th, I looked up the prompt for the day. It is very simple: "Secretly, I know my name is ________________".

And so I begin...

Secretly, I know my name is Merilbeth, and I am really not of this world. I come from another, brighter world, one where magic abounds, and no one thinks this unusual.

My parents have always thought that I was a bit straange, and I have not bothered to deny it. They are not aware of many things, since they live in the consensual reality we encounter every day.

I was sent to this world to tell humans of the true reality -- the reality of dreams and magic, of creatures of fable and legend.

Tonight, I am thinking of Lothlorien, and of the Fellowship. Frodo has a very heavy burden upon him, one that no one can ease for him. My sister Ledwina has spoken to him often of it, and has told me of his perpetual sadness. Even our elven light cannot comfort him. Elbereth herself has tried to ease his sorrow, but it has not been a permanent solution.

Tonight, I stare at the moon and stars from my balcony. They gleam brightly, and I hear the distant singing of Legolas and all my brethren in that other, gentle land.

I cannot join them just yet. I am tied to this reality for now. I can only escape at moments like these, when I am briefly alone to face myself, when nostalgia for the magic and the music of my true native land overwhelm me.

Ledwina is calling out to me. I hear her whisperings in the sudden breeze that gently sweeps aside my long tresses. I want to go to her, to ask her for news of the quest, most especially of the Ringwraiths, and how Gandalf fares.

Turning from the balcony, I enter the living room, which is crammed with books. Bookshelves line one wall, from floor to ceiling. Everything is so still...the moon shines through the open balcony, its light dimly illuminating one row of books. It is midnight, the hour of magic. My husband is already asleep in our bedroom. He knows how I love to stay up late and read, even on Sunday nights.

I approach the row of books lit by the moonlight. I know just the one I want. Reaching out, I ease it out from between its brothers.

It is, of course, "The Fellowship of the Ring".

Humming an elven melody softly to myself, I turn on the reading lamp, and settle into the living room armchair. I push out the foot extension.

Then I begin to read.

"Merilbeth?" She certainly sounds quite upset. "Where have you been? I've been asking Sam about you!"

I turn a page, and there she is, smiling, her hands on her hips, as Sam shyly peeps out from behind her skirts. In the background, I can see them all gathered around a huge table, and Frodo is lifting his elven goblet in a toast. Arwen is smiling, radiant in a silvery gown strewn with tiny pearls. Aragorn is equally jubilant, sitting at her side. Bright torches ring the table, and music is lifting into the cool night air.

Waving at my sister, I fall into the book, and eagerly run toward the gathering.

















Friday, November 5, 2010

Book Review: Fahrenheit 451



Fahrenheit 451
Ray Bradbury
Mass-Market Paperback, 171 pages Ballantine, 1971
(first published 1953)

Dystopian Fiction, Science Fiction
Literary awards: Hugo Award for Best Novel (1954), Prometheus Hall of Fame Award (1984)





Ray Bradbury’s books make for immediate, mesmerizing, entirely compulsive reading. His prose is electrifying in its use of poetic metaphor and dramatic syntax. The reader is instantly plunged into an alien culture, or a terrifying future, and is not really released even after the last page is turned.

I had been postponing reading this novel for years. I am, after all, a confirmed bibliophile. Reading a novel with a plot involving the burning of books would, I kept telling myself, be too traumatic for me.

I finally decided to wade in.

Need I say that I only put the book down when I absolutely had to, when reality intruded? The novel carried me along on its relentless wave of narrative. Of course, I tried not to picture the books burning as I read, but Bradbury wouldn’t let me. Not when he was describing them as living creatures, dying, their pigeon wings flapping…. The fact that I managed to endure this at all is a real tribute to the greatness of his writing.

The characters are indelibly imprinted on my brain. The most compelling, of course, is the protagonist, Montag. Equally compelling are Faber, who is obviously Montag’s alter ego, and the numinous Clarisse. She is the one who first awakens Montag to the futility of denying his own soul, the stirrings of thought and penetrating questions that reading invariably arouses. The most tragic character is Beatty, who struggles hard against his love of books, in his work as chief fireman. This struggle culminates in a final, ironic conflagration. Montag’s wife, Mildred, is to be pitied, since she is unable to acknowledge her emptiness, her consuming loneliness. She pushes away the power and beauty to be found in books. She refuses to come out of denial, preferring ‘the family’, a banal cast of characters she endlessly watches in the living room ‘wall-to-wall TV’, in order to anesthetize the deepest longings of her soul.

As I read, I became aware of a deeper sense of discomfort, underneath that elicited by the burning of books. Due to my own life experiences, I, along with this disturbed society, had been unconsciously longing for a world in which no one would ever get his or her feelings hurt – a world where everyone’s rights would be respected, especially those of minorities.

Bradbury gave me a sobering look at such a world, and it was absolutely terrifying. It was “American Idol” gone wild, a world in which people no longer thought, felt, or even communicated on a soul level with other human beings. Instead, they spent all their time being ‘happy’, through mindless, ongoing entertainment.

I realized that I didn’t want to live in such a world; it would mean the total annihilation of what makes us most deeply human – the ability to dream, to wonder, to ponder the deep truths of life.

Books and the questions they raise are incompatible with living in a world where nobody would offend anyone else. Books disturb, probe, anger and challenge. Books are flawed at times, due to their authors’ all-too-human penchant for furthering their own pet theories, however twisted they might seem to a reader. Books can make us squirm, for they can force us to face the unwanted realities we try to bury.

There is still a part of me that thinks that books such as “Mein Kampf” should be burned, or at least, allowed to expire by going, and staying, out of print. The Marquis de Sade also comes to mind as an author of books with a markedly offensive subject matter. Then there’s Anais Nin. One of her books chronicles the incestuous relationship she had with her father…

The problem is, where do you draw the line? Who decides which books merit extinction?

I don’t have a final, satisfactory answer.

And so I am left feeling restless and slightly depressed, although I’m glad to have read the book, nevertheless. It has caused me to ponder what I really and truly believe regarding the banning of books, and their potentially harmful influences.

Yet another uncomfortable element of the plot is Montag’s desperate, evil act toward the end of the novel. I suppose it is inevitable, however. It is indeed immoral, but then, so is the entire, nihilistic society he is a part of. It is the act of a man who has turned on a symbol of that society, and so, turned on himself, in a sense, in order to be reborn as a new man, a man who thinks and feels, even if doing so causes him some measure of unhappiness. This act could, itself, be considered a harmful influence on a reader, since Montag evades punishment. Yet, as an act of rebellion, of a misplaced sort of justice, it is totally fitting. Therein lies “the treason of the artist”, as Ursula K. LeGuin puts it. For the artist makes meaning out of pain, suffering, and tragedy. This is also part of the value to be found in books.

The symbol of rebirth is ubiquitous in the novel. At one point, the myth of the Phoenix is mentioned. Ironically, civilization is being reborn out of the very fire it has used to destroy the very objects that had given it meaning – books.

By the end of the novel, groups of people have quietly begun the reconstruction, the return to reading. It is a movement that is slowly gathering momentum. Civilization, suggests Bradbury, as Miller’s Canticle for Leibowitz was to do years later, is constantly rising from the ashes of every Dark Age in order to reinvent itself.

So I know that I will be re-reading this book sometime in the near future, as I intend to do with Miller’s. Both are books that apparently dwell on despair, only to end with a feeling of hope.

Bradbury has once again sparked my imagination and tickled my intellect. He also refuses to let me forget his incredible take on a future that may or may not turn out to become all too real.


Sunday, October 31, 2010

Novel in Progress: The Fey Kingdom



This beautiful image, titled "Pool of Potential", was created by Michael Orwick, and is posted at http://www.fairiesworld.com/gallery/albums/userpics/


Description:
I have started work on a fantasy novel. The plot elements come to me in snatches and spurts.

The first chapter introduces a brother and sister in their teens. They are eagerly awaiting the arrival of "the tale-spinners", who are wandering bands of storytellers from the four points of the compass.

It is considered an honor to be selected to join a band of these storytellers. Merilbeth, who loves to listen to, as well as tell, stories, dreams of joining their ranks one day...


Chapter 1: The Tale-Spinners of the North

Every spring they came down from the mountains, striding along like lofty, proud trees. Some carried harps on their backs, to accompany their storytelling. Others, of a more practical bent, carried bows and quivers full of arrows, although game was scarce in the higher ridges at that time of year. All of them used walking staffs, as the wizards did when they deigned to venture forth among mere mortals.

It was the spring of my seventeenth year in the world when at last they arrived in our valley.

Erik was the first to see them, from his dangerous perch on the tallest tree, far from the outskirts of our village. We could hear his excited shouts as he ran toward us, we who sat, patiently – and, in my case, not so patiently – washing and drying clothes on the riverbanks.

“The tale-spinners are coming!” His voice, strong and sure for a lad just turned thirteen, flew across the distance, echoing, it seemed, throughout the valley.

I had to stifle a sudden rush of envy, and was unsurprised by it. Pulling irritably on the long skirts that had inexplicably snagged on a dry branch, I plunged my hands yet again into the cold river water, scrubbing until the pain lanced up my arms, all the way up to my shoulders.

“Merilbeth!” His voice was much closer now.

“Merilbeth!” My irritation grew as he repeated my name, his voice dancing like pinpricks along my nerves. It was not often that my brother affected me thus.   I glanced up in his direction with what I hoped would be a studiously bored look.

“Merilbeth!”

His excitement was, I had to admit, infectious. I tried to stifle a grin as I looked down again and continued scrubbing, pretending to be totally engrossed in my work.

“Didn't you hear me?” He panted, trying to recover his breath.

I said nothing. Not to be discouraged, as was his wont, he leaned down over me, and shook my shoulder.

“What, are you not excited? The tale-spinners are here! I saw them myself! You’ve been waiting for the news for months, have you not?”

I remained silent, although I could no longer hide my grin.

With an exasperated sigh, my younger brother sat down next to me.

“I see your smile, “ he announced triumphantly. Then he frowned as he went on. “And yet, you do not seem happy at the news.”

Sighing, I stopped my scrubbing, and turned to look at him. My arms ached, and I welcomed a rest.

“I heard you, Erik,” I said finally.

“Then why….?” He pressed, but stopped as I abruptly glowered at him.

“Don't you see?” I hissed at him, my poor, gentle brother.   He took no offense, laughing as he cuffed me playfully on the shoulder.

“It is not your fault, of course,” I continued, regretting my behavior at once. "You don’t have to wash and dry clothes at the river every week, instead of looking out for tale-spinners.”

“Oh,” he replied, laughing once more. “Were I a female, I think I would detest this chore, also.”

I joined in his laughter. He certainly understood far more than our parents did. They held traditional expectations for their only daughter.

“But are you not happy that they have arrived at last?” His voice rose once more, and he pulled on my arm, gently. “You always used to ask and ask when they would appear, when I was smaller. Don't you remember how you would tell me some of their tales, at night, in the rafters, when you thought no one would hear?”

I had a sharp intake of breath, and my eyes widened in alarm. “And did they?”

He smiled. “No, f do not believe they ever did. But I have always wondered how you were able to store as many tales as you did in your memory. You never forgot a detail, either.”

I shrugged, blushing a little. I was so unaccustomed to praise of any sort.

“I don’t know…the tales were all so wonderful, so full of adventure, that I could not help but remember them.”

He grinned suddenly, and started to pull me to my feet.

“Come, let us go meet them before they enter the village!” he cried out.

“Oh, but I have yet more clothes to wash!” I exclaimed in alarm, fearing to hear Mother’s sharp tongue if I left my dreary work.

“Forget them!” he cried out with unchecked enthusiasm. “Were you not complaining about having to do this stupid chore? Come! If we hurry, we shall catch them before they turn the bend in the river!”

I was on my feet now, excitement rising. I was also ignoring the amused stares of the other girls who lined the riverbanks.

“But my skirts…” I mumbled, feeling uncomfortable even though I was not acknowledging the tittering of even my best friend, Caitlin.   I was going to receive a horrible scolding, not to mention the unending teasing of the village girls and women.

“Here, let me help you hitch them up so,” Erik said, fairly dancing around me. As he spoke, he began expertly tucking my voluminous skirts in, all the way about my waist.

I stood there, laughing, all my boredom forgotten. My brother always had this effect on me. He had always been this way – completely carefree, and yet, always mindful of others. He was, as my father always said, a lad with a good heart.

Erik tugged on my arm again, and I felt no more misgivings. We ran away from the river, and I ignored several cries of “There she flees, the lazy one!” and “Scolding tonight!” Caitlin’s voice joined them, too: “You can hide at my house!”

I put all my heart into the running. It was when I ran, which wasn’t often now, that I felt most free. It was totally exhilarating. My skirts forgotten, I ran and ran, trying to outstrip my brother, while he, laughing, also put his best into what had turned into a race.   I was proud of the fact that I was the fastest girl in the village. Long ago, I had warned them all of a coming horde of Southern trolls, whom I had seen from the top of one of the hills that ringed the valley.   The village elders had praised my courage, but had warned my father that I could not be allowed to roam the hills and woodlands like a boy any longer, lest any harm befall me.

That meant no more rambles with Erik, pretending to fight against the warriors of the tribe of Perelgan.   I had been fourteen at the time, and, in that summer, became a woman, as my mother put it, when the flow began…

I pushed all such thoughts out of my mind as I ran, free as the wind, light as the deer my father hunted, much to my eternal dismay.   I was the fleetest of maidens, I assured myself smugly. I was also the fiercest of warrior princesses.

We came upon them just as they rounded the bend of the river. The slanting rays of the sun sliced through the tall oaks bordering the bend. Birds flapped off the treetops in alarm as the strangers wove through the dense bushes, stepping onto the well-trodden trail that bordered the river.   They splashed, unheeding, through the shallow water by the bend. The river ran deeper as it meandered close to the village.   There were five of them. Three looked to be men beginning their middle years, one looked older than that, and the fifth was, I calculated, about my age, or slightly older.

It was the fifth tale-spinner that I found beautiful. He was quite tall, broad of shoulder, and his gleaming hair, black as the depths of a moonless night, hung clear to his shoulders.   His eyes pinned me to the ground, and I stopped in mid-flight, all the breath knocked out of me. Those eyes were the color of night, as well, and gazed steadily at me, unblinking.

They were still splashing across the river as we approached them. Erik turned back to look at me, since I had stopped, and he had not, racing all the way to the river’s edge.   I could not move, for some reason. My cheeks felt very warm, and I did not know why. My whole body, too, suddenly felt quite warm, then cold, then warm again. My breathing felt constrained, yet agitated.

“How fare you?” Erik courteously called out to the strangers, temporarily putting me aside, although I knew he was puzzled by my behavior.

“Well, my lad,” the oldest called out, “glad we are to find you. We were not sure our map would steer us true, but, thanks to our good friend Alden, we have found your village.”

He gestured to the youngest of them, he whose eyes had already enthralled me. My heart jumped, and I bit my lip in exasperation. Too late, I remembered my hitched-up skirts, as the warmth flooded my face. It would be too obvious if I were to pull them down now. So I stood there, mortified, unable to move.

Perhaps he was the one who had been prophesied for me at the time of my birth.

It could not be! I was going to grow up to be a tale-spinner myself. Free as the wind and the elements, I would let no one bind me in marriage. I would roam the face of the earth, traveling from village to village, from township to township, spinning my tales. No one and nothing would own me. I had sworn it upon the yew tree I had found in the forest, the summer after I became a woman. Such oaths were binding, our seer, Magda,  had always said. Of course, she could not know that I was defying her prophecy. I was determined to outwit it at any cost. I was even prepared to defy the gods.   I would be ever free…

They were across the river now, and drawing closer to me.

“I am Erik”, my brother proclaimed, then turning to me, shyly, yet proudly, added, “and this is my sister, Merilbeth.”

My eyes were riveted on Alden, as his were locked on mine. He smiled then, and that smile was my undoing. I smiled at him in return, only at him, as if his companions did not exist. Somehow I managed to forget my skirts, still bunched up around my waist.

“Is your village prepared for our stay?” The eldest man, whose short, black beard had glints of silver, glanced briefly at Alden, and then at me, a smile playing about his lips.

“Oh, yes!” My brother could not contain his excitement. “We have been ready since the first thaws began!”

The whole group laughed at this, and I liked them all at once, but, I must admit, most especially Alden.   They all came forward, and the eldest man laid a kind hand on my brother’s shoulder.

“Well, my lad, lead us on to your village, then.”

I turned away with a shy smile, my heart humming as we set off for the village. I swiftly straightened my skirts as I walked.






Thursday, October 28, 2010

Halloween and The Twilight Saga







Halloween was never mentioned in The Twilight Saga, that I can recall. How very interesting... One would think that Stephenie Meyer would include it somewhere in the books. After all, vampires have been part of Halloween for the longest time now, ever since Dracula made his debut. However, Meyer's vampires are far from "traditional". The Cullens are, essentially, good guys who have been dealt a rather bad hand by destiny, or whatever you might want to call it. They are not destroyed by sunlight. Instead, they sparkle. They are immune to crosses, silver, and garlic. And, most interestingly, they do not have fangs. Not even the Volturi possess these blood-sucking implements. You would think that vampires who do prey on humans would have them. Of course, the Volturi are also unaffected by the items mentioned above. (Hmmm...the similarity between the words "Volturi" and "vulture" has just struck me...guess I tend to miss the obvious sometimes...lol.)

The Cullens do everything they can to fit in, and yet they don't. They stand out at Forks High School. The human students there don't know quite what to make of them, but instinct tells them that the Cullens aren't, well, like "regular folks". Yet, none of the Cullens has ever harmed a single student at the high school. This would not endear them to Stephen King's heart, that's for sure!

So I suppose The Twilight Saga and Halloween don't really go together. What the heck...a vampire is a vampire is a vampire...right? Not in the case of the Cullen family.

And what about Jacob and the pack? They're not really Halloween material, either. All of them are good guys, too. Their fight is with vampires. They do not prey on humans.

In fact, neither the Cullens nor the wolf pack are a threat to humans at all. Their common goal is to make sure no human is hurt, whether by one of their own, or "the other side". This is what turns them into allies toward the end of the series.

Halloween is mostly about terror and monsters trying to destroy humans. Even the tradition of going from house to house to collect candy has a dark side -- give us a treat or we'll reward you with a "trick". This could be anything from papering an entire house, and dowsing it wih water, to throwing eggs at the family car, to...who knows?

Furthermore, Edward Cullen's all-encompassing love for Bella Swan is hardly the stuff of nightmares, unless one wants to raise an eyebrow at certain stalker-like aspects of his behavior. But poor Edward can be forgiven for this. Unlike a real-life, human stalker, he only wants to protect Bella, not only from himself, but from anyone else who might want to harm her. He loves her for herself, not for any celebrity or societal status she might possess. He is the quintessential romantic, in love with her inner being... This kind of love is in scarce supply in the real, human world. Some people might think this cheesy. I think it's exceedingly romantic, and is at the root of the Saga's popularity, especially with the female gender.

If anyone comes to mind when one is thinking of Halloween and The Twilight Saga, then it's obviously the Volturi. What an appropriately nasty bunch they are! They're definitely of Dracula's ilk. Ugh. I have never liked Dracula, or traditional, scary vampires, with or without fangs.

So this year, I'll go with the Cullens. They bring an element of wholesome family fun to Halloween, I think, and I'm not being sarcastic or facetious. Baseball, anyone? Just make sure there's some thunder in the background, and we're all set to play!

So I can happily say, "Happy Halloween!", without necessarily endorsing any of the gruesome, scary aspects of this weird holiday.

Now I'm wondering what Reneesmee might wear when she goes "trick or treating"...